A Reel 20: HELLBOY & KILL BILL VOL. 2

April may be exiting stage-right, but there is still time to celebrate the 20th anniversary of two films released 20 years ago this month: Guillermo del Toro’s HELLBOY and Quentin Tarantino’s KILL BILL VOL. 2. 

 

Releasing first was HELLBOY. 

Based on the Dark Horse Comics character of the same name, this blend of the superhero, fantasy, and horror genre followed the adventures of Hellboy, a demon turned paranormal investigator fighting to save the world. The film was adapted mostly from HELLBOY’s debut comic, Seed of Destruction, and was written by its director, Guillermo del Toro. Guillermo was a perfect match for the material, having been a fan of horror and fantasy and was recently coming off a hit; his superhero/horror blend, BLADE II from 2002. Ron Perlman and his chin took on the lead role, and he was joined by Selma Blair, Jeffrey Tambor, Rupert Evans, and the late great John Hurt. David Hyde Pierce provided voicework in an uncredited role. 

 

Upon release, HELLBOY would be a box office hit and earn good reviews. It would be nominated for four Saturn Awards, winning one (Best Make-Up). It would spawn a sequel: HELLBOY II: THE GOLDEN ARMY in 2008. 

 

Just a couple of weeks later, came the martial arts film KILL BILL VOL. 2 by Quentin Tarantino. 

 

VOL. 2 was the second of the two KILL BILL films which were made simultaneously, with VOL. 1 releasing six months earlier. It was originally set for a one film with a runtime of over four hours, but was later divided and re-edited into two films. 

 

The sequel, like its predecessor, was conceived as a multi-genre film, combining martial arts, blaxploitation, spaghetti westerns, and grindhouse cinema. It followed a tale of revenge, with a character mostly known as The Bride, seeking revenge against her would-be killers…led by Bill. The role of The Bride would go to Uma Thurman, and she would be backed up and bloodied by David Carradine (Bill), Michael Madsen, Daryl Hannah, Gordon Liu, and Michael Parks. The score would be a collection of tracks across musical genres, including country music and Spaghetti Western scores from Ennio Morricone. 

 

On release, KILL BILL VOL. 2 would earn good reviews and be a box office hit. It would be nominated for several awards at the Golden Globes, Empire Awards, and Saturn Awards. 

 

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Twenty years ago this month, we were treated to two films that stretched across nearly every genre of cinema. HELLBOY dove deep into myth, provided scares, and gave us a unique cinematic hero that was funny and relatable. KILL BILL VOL. 2 had the characteristics of a yarn from the Old West, while dipping its toes (quite deeply), into samurai lore. One was fantasy, the other was something could very well have happened in our reality. And both were helmed by filmmakers who were both in their groove. 

 

Guillermo del Toro was not only coming off a hit with BLADE II, but he was refining his skills playing with gods and monsters; skills that would lead him to his masterful, Oscar-nominated PAN’S LABYRINTH in 2006, and his eventual Best Picture winner, THE SHAPE OF WATER in 2017. And in HELLBOY, his learning of the strange and unusual could be seen on the screen. He gave monsters human traits, and made them actual characters instead of the old things that go bump in the night. Guillermo turned the tables on what we expected, and that’s what great filmmakers do. 

 

Quentin Tarantino was coming off a splatter-fest in KILL BILL VOL. 1, and audiences expected much of the same in VOL. 2. But here was where Tarantino’s maturity, and skill as a storyteller and filmmaker rose to the top. Instead of another hack-em-up flick, VOL. 2 slowed things down and became a character study; looking at damaged characters in self-exile, operating independently, and mulling over the fine line between life and death. VOL. 2 smashed expectations, which is what all great sequels should do. 

 

 

A Reel Opinion: The Top 10 Best Biblical Films

Last week, Reel Speak came down the mountain with the Top 10 Best Films about the Devil written in stone by fire (read it HERE). Since evil cannot exist without good, that devilish blog could only be followed up with another stone tablet: The Top 10 Best Biblical Films. 

 

The Bible has been a source of inspiration for millions across centuries, and has also done the job on film; telling tales of faith, love, hope, and basic good vs. evil. Even to the non-believers the stories are known, and can make for easy cinema. Some of the earliest Bible films go back to 1903 with a French production of SAMSON AND DELIAH, which would ignite a slew of Bible-based films from 1909 to 1911. Over the decades, the Bible has had its stories adapted straight-up for the screen, but have also served as the basis for alternate tellings of the old stories. Darren Aronofsky is a prime example of this, with his MOTHER! (2017), and NOAH (2014), telling those old stories in new skins. Comedy has taken a few pages out of the Good Book as well, with Mel Brooks’ HISTORY OF THE WORLD PART I (1981), and BRUCE ALMIGHTY (2003), generating laughs. For this list, the best films are the ones that explore faith using the themes, characters, and stories to the best cinematic experience. 

 

 

 

In the beginning…

 

 

 

 

 

10. THE GREATEST STORY EVER TOLD (1965)

 

This 199-minute epic by George Stevens is far from the greatest movie ever made; in fact, it was lambasted by critics at the time. But its ambition is impressive, telling the story of Jesus from the Nativity to the crucifixion. Despite its length it is concise and gets the message of Jesus across, and is a good film for kids as an intro to Bible stories. Max von Sydow plays Christ in a memorable turn. 

 

 

 

 

9. THE PRINCE OF EGYPT (1998)

 

The first Dreamworks picture to win an Oscar and would eventually be considered to be one of the best animated films of all time. The story of Moses is told from the foretelling of his coming and his receiving of the Ten Commandments in stunning animation and an impressive voice cast: Val Kilmer, Ralph Fiennes, Michelle Pfeiffer, Sandra Bullock, Jeff Goldblum, Danny Glover, Patrick Stewart, Helen Mirren, Steve Martin, and Martin Short. 

 

 

 

8. BARABBAS (1961)

 

The late great Anthony Quinn plays Barabbas, the criminal who was freed so Jesus could be crucified. This is a journey of faith story, as Barabbas wrestles with believing in a higher power after Jesus rises. This showcases some impressive cinematography for its time, which filmed an actual solar eclipse to recreate the crucifixion darkness. The supporting cast is also excellent; Jack Palance, Arthur Kennedy, and Silvana Mangano. 

 

 

 

7. JESUS CHRIST SUPERSTAR (1973)

 

Before Norman Jewison made icons out of Cher and Nic Cage in MOONSTRUCK in 1987, he helmed this acclaimed adaptation of the 1970 rock opera by Andrew Lloyd Webber. The film centers around the conflict between Jesus and Judas; familiar territory brought to energetic and emotional life in a musical setting. 

 

 

 

6. DAVID AND BATHSHEBA (1951)

 

Stories of the crucifixion get a lot of attention on the big screen, so it’s refreshing to see one of the lesser-known tales be unspooled. This 1951 epic by Henry King follows the life of King David and his relationship with Bathsheba, who is married to another man. One of the many highlights of the film is the showdown with Goliath, played by Lithuanian wrestler Walter Talun. Gregory Peck is excellent as David. 

 

 

 

5. NOAH (2014)

 

On the surface, this masterful work by visionary director Darren Aronofsky looks like an alternate tale of the great flood that dipped into the sci-fi and fantasy genre. But Aronofsky goes deeper, working in hidden items from the Bible to create a stunning and often-times mind-boggling cinematic experience. Deep faith is explored, and the emotional punch near the end really lands. Russell Crowe takes on the role of Noah, and Emma Watson steps out of her wizards robes for the first time in an impressive, grown-up role.  

 

 

 

4. THE LAST TEMPTATION OF CHRIST (1988)

 

Willem Dafoe plays Jesus and Barbara Hershey plays Mary Magdalene in this Martin Scorsese film that earned him a Best Director nomination. Temptation is in the title and hangs heavily over the film, as Jesus is tempted by lust and fear. Controversial for its time as it didn’t stick to the Biblical narrative but instead explored spiritual conflict. Scorsese was telling us that Jesus was still a man, which makes his eventual suffering all the more powerful. 

 

 

3. BEN-HUR (1959)

 

William Wyler’s massive film that would win a then-record 11 Oscars including Best Picture. Charlton Heston plays the title character living just outside of the comings and deeds of Jesus, which drives his character and gives us new perspective of the familiar story. The spectacle is outstanding even by today’s action-film standards, with the chariot race still standing tall as one of the greatest scenes of all time. 

 

 

2. THE PASSION OF THE CHRIST (2004)

 

Mel Gibson’s bold and uncompromising look at the final hours of Jesus which would go on to become the highest-grossing Christian film of all time. The blood and brutality of the crucifixion is relentless, but there is an odd beauty to it as Gibson dives into committed faith and a touching mother/son story, and the cinematography gives us images that look like they floated off a Vatican painting. It is hard to watch in places but the power can be felt. This Blogger’s personal favorite of the Ten. 

 

 

 

1. THE TEN COMMANDMENTS (1956)

 

Famed director Cecil B. DeMille’s astounding 220-minute epic telling the Book of Exodus, starting with the birth and exile of Moses, his deliverance of the Hebrews out of slavery, and his receiving of the Ten Commandments. Boasting some of the most impressive visual effects of its time (which still hold up today), THE TEN COMMANDMENTS boldly shows the power of God in great cinematic spectacle, and over the years the film has become a traditional Easter holiday viewing. The stone tables that Moses would receive would be the basis for all faith, which is appropriate, as THE TEN COMMANDMENTS is the basis for all Biblical films. So let it be written, so let it be done. 

 

 

REEL SPEAK'S TOP 10 BEST BIBLICAL FILMS

1. THE TEN COMMANDMENTS
2. THE PASSION OF THE CHRIST
3. BEN-HUR
4. THE LAST TEMPTATION OF CHRIST
5. NOAH
6. DAVID AND BATHSHEBA
7. JESUS CHRIST SUPERSTAR
8. BARABBAS
9. THE PRINCE OF EGYPT
10. THE GREATEST STORY EVER TOLD

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Thanks to Mollie Halpern, friend of Reel Speak, for suggesting this blog. 

A Reel Review: CIVIL WAR

For any large-scale film, world-building is essential. In 1977, George Lucas told us that the Empire was evil in the first 10 seconds and that was all we needed. In 2001, Peter Jackson summed up the history of Middle-Earth in an extended prologue that would set the stage for the coming trilogy. For Alex Garland and his CIVIL WAR, world-building is also essential, but is done non-traditional. 

 

In the near future, America is in the midst of a multi-party civil war, centered around a dictatorship under its corrupt President. Renowned war-photographer Lee (Kirsten Dunst), her colleague Joel (Wagner Moura), newspaper reporter Sammy (Stephen McKinley Henderson), and young budding photographer Jessie (Cailee Spaeny), decide to travel to Washington, D.C., to try and interview the elusive and secluded President. 

 

Written and directed by Alex Garland, CIVIL WAR unfolds as an episodic war film, as the group of journalists travel from New York to D.C., taking a roundabout way through Pennsylvania and West Virginia due to highways being closed off or destroyed. The goal is simple; get to the Capital, interview the President. Along the way they are caught in firefights from the two sides, make friends, meet enemies, and barely escape with their lives more than once. 

 

The background of how the (ahem) United States got to this point is revealed piecemeal; there is no prologue or endless opening title-cards telling us how the war started. Instead, Garland leaves clues and hints here and there like breadcrumbs...leaving the audience to piece it together ourselves. On paper, it’s brilliant, and in hindsight, it hits hard. But during the telling it can be confusing; trying to figure out who is on what side is never clear. 

 

Garland is not shy about making a statement on American politics and the threats of seceding States and wanna-be dictatorships. The President speaks in endless adjectives and tough-guy terms, constructs a wall around the White House, and has his troops interrogating prisoners with questions like “what kind of American are you”. It’s on-the-nose, and it is scary. 

 

When CIVIL WAR gets into its war, it is unmatched. Garland drops us right in the middle of the action, with gun blasts really FUCKING LOUD and an incredible sound-mix that will have audiences ducking for cover. It’s realistic (soldiers run out of ammo, move slowly when advancing), and harrowing. As a shoot-em-up, it makes DIE HARD look like a cartoon. Tension is ramped up very well, and the usage of classic rock cuts are perfect. 

 

Also perfect is the acting. Kirsten Dunst puts in one of her best performances, and she is matched well with Wagner Moura. Stephen McKinley Henderson does a lot of heavy lifting, and Jesse Plemons makes a cameo in a very tense scene. The show is stolen by Cailee Spaeny. 

 

The finale and final battle consists of one hell of an assault on the White House and it’s fascist President, and is hard to watch in places. By the time the smoke clears, a lot comes together…and it’s only after the credits start to roll that we start to put the pieces together. CIVIL WAR does its share of world building, but Garland just asks us to do the work. 

 

BOTTOM LINE: See it 

A Reel Opinion: The Top 10 Best Devilish Films

When the conversation moves to the best cinematic villains, most of us immediately go for Darth Vader, Kahn, or the Joker. Oddly enough, the ultimate evil, the Prince of Darkness and lord of hell, the Devil…often gets overlooked. This month, the horned-one is back on the big screen in THE FIRST OMEN (read Reel Speak’s review HERE), which is a prequel to the classic THE OMEN from 1976. With the biggest bad of them all back creating terror, it is hot time for Reel Speak’s Top 10 Best Devilish Films.  

 

For the most part, Hollywood has done good work in portraying the Devil in other forms aside from the children’s-book version of horns, tails, and pitchforks. He has appeared as men, women, beast, and children. Some of the earliest versions came in the 1922 silent horror-essay HAXAN, and the 1926 silent fantasy FAUST. Despite his obvious horror roots, he has jumped into other genres, including comedy, and even animation with Disney playing with the Devil more than once. The most hellish films are the ones that portray the Devil in his purest form; seductive, tricky, hidden, and evil. To qualify for the list, the Devil must have a strong presence in the film so that the movie could not exist without the character, and it must take place in a real-world setting...because that's where the Beast is at his best. 

 

 

 

 

So, let’s go to hell…

 

 

 

 

10. OH GOD! YOU DEVIL! (1984)

 

Comedy legend George Burns starred in this nearly-forgotten trilogy of films which was capped with Burns playing the role of both God and the Devil. The plot is simple (a struggling musician sells his soul for fortune and glory), but Burns gives it more than one layer. His trademark cigar is perfectly placed, and the red-eye effect he sports is enough to scare anyone. Burns would win a Saturn Award for his performance, at 88 years old. 

 

 

 

9. THE PROPHECY (1995)

Before Viggo Mortensen was crowned King, he was dazzling and chilling in his portrayal of Satan in this fantasy thriller. The film itself got panned hard by critics upon release, but it does have some great moments…and is worth it just for Viggo. Not to mention the excellent supporting cast of Christopher Walken, Elias Koteas, Virginia Madsen, and Adam Goldberg. 

 

 

 

 

8. THE WITCHES OF EASTWICK (1987)

The Eighties were pretty hot on the Devil, and in 1987 they scored the hottest casting of them all when they brought in Jack Nicholson to play the part. George Miller of MAD MAX fame directed this comedy where three women (Cher, Michelle Pfeiffer, Susan Sarandon), get entangled with the Devil (Jack). It is funny and creepy, and reminds us that the Devil likes to seduce.  

 

 

7. THE LAST TEMPTATION OF CHRIST (1988)

Some of the best depictions of the Devil come in unexpected forms. Mel Gibson gave him feminist qualities in his THE PASSION OF THE CHRIST (2004), but before that, Martin Scorsese presented the fallen angel in the form of a little girl…posing as Christ’s guardian angel. This stroke of genius played with the old saying: that the greatest trick the Devil ever played was convincing us he didn’t exist. 

 

 

 

6. BEDAZZLED (2000)

The late great Harold Ramis directed this re-adaptation of the Faust tale. Similar to THE PROPHECY, this romantic comedy wasn’t exactly considered to be high art in its time, but it survives thanks to its portrayal of the Devil. This time, Elizabeth Hurley takes on the role, granting a shy man (future Oscar winner Brendan Fraser), seven wishes in exchange for his soul. Hurley is smoking hot here, and together with Fraser, they keep the film afloat and remind us of the many ways the Devil can come for us. 

 

 

 

5. THE OMEN (1976)

This horror classic helmed by Richard Donner was more about the Anti-Christ, but the Number of the Beast hangs heavily over the film. The Devil is coming, and the threat of his arrival is just as scary as him sitting next to us. 

 

 

 

4. THE DEVIL AND DANIEL WEBSTER (1941)

This adaptation of the 1936 short story also deals with the theme of a deal with the Devil, and despite its age, holds up to today’s standards. The film sports some dazzling special effects for its time, and Walter Huston’s performance as Satan chills to the bone. 

 

 

 

3. THE WITCH (2015)

Robert Eggers delivered this folk-horror film where a Puritan family on a secluded farm encounter supernatural forces. The Devil hangs around as a beast in disguise this time, and most of the film isn’t about what we see but we don’t see, and it scares just as much as it un-nerves. But most of all, it lets us know that the Prince of Darkness is an elemental part of this world. 

 

 

 

2. THE DEVIL’S ADVOCATE (1997)

Keanu Reeves plays a young lawyer who begins working for a prestigious law firm in New York City, which is led by a John Milton (Al Pacino), who is nonother than the Devil himself. Packed with twists and turns, the last 20 minutes of the film contain an extended monologue from Pacino that truly sells the idea of what the Devil is up to…and it may not be so bad. He’s a fan of man who has nurtured all of our desires. It’s a script worthy of debate and the basis for many a college term paper. This Blogger’s favorite of the list. 

 

 

 

1. THE EXORCIST (1973)

This may seem like the obvious and easy choice, but it’s obvious and easy for many good reasons. First off, the Devil is usually equated with horror films, and THE EXORCIST still stands as one of the best, if not the best of its genre. Centered around a young girl (Linda Blair), who is possessed by the Devil, the film shows just how evil the dark one can be; making her bark, drool, spit, float above her covers…and play all sorts of tricks on everyone (Jason Miller, Max von Sydow, Ellen Burstyn), trying to save the girl. As a horror film it definitely shocks and scares, but what it says about the Devil is what really gets under our skin: he doesn’t want to kill us, he wants to get us. 

REEL SPEAK'S TOP 10 BEST DEVILISH FILMS

1. THE EXORCIST
2. THE DEVIL'S ADVOCATE
3. THE WITCH
4. THE DEVIL AND DANIEL WEBSTER
5. THE OMEN
6. BEDAZZLED
7. THE LAST TEMPTATION OF CHRIST
8. THE WITCHES OF EASTWICK
9. THE PROPHECY
10. OH GOD! YOU DEVIL! 

 

 

 

A Reel Review: THE FIRST OMEN

In 1976, the Richard Donner-directed horror flick THE OMEN introduced the world to young Damien Thorn, the antichrist in the form of a young boy. While this film, which became a classic, gave us most of Damien’s origins, there was always a little bit of wiggle room with not all the gaps filled in. Those gaps are the basis for THE FIRST OMEN. 

 

Taking place five years before the events of the original film, Margaret (Neil Tiger Free), is sent to Rome to work at an orphanage before taking her vows as a nun. Just as she starts having creepy hallucinations, she encounters Father Brennan (Ralph Ineson), who is convinced that the sisters of the orphanage are trying to bring the antichrist into the world. 

 

Directed by Arkasha Stevenson, THE FIRST OMEN is a Prequel, but spends 99.9% of its time weaving a thick mystery around the creepy nuns that run the orphanage. While Margaret deals with her scary visions, she befriends a troubled teen (Nicole Sorace), who also seems to be having visions of beasts and death. Meanwhile, Father Brennan has Margaret sneaking into the orphanage’s secret files, looking for information on the many odd pregnancies that the orphanage has handled. 

 

The film casts a thick layer of creepiness and for the most part it works. The scares are well-timed and most of the mystery, once revealed, is handled well. The film goes down some familiar territory of wanna-be nuns questioning their faith, but doesn’t hang on it like a cliché and focuses mostly on the horrific shit that the nuns are up to. Not all of it makes a ton of sense, and there are some loose ends here and there, but as a horror flick it does its job. 

 

Director Arkasha Stevenson keeps the pacing tight, and the film moves well. The gross parts are really gross centered around body horror, and there’s a fair amount to turn away from. The plot device of Margaret’s visions gives the film full reign to do whatever it wants, but Stevenson keeps things from getting out of control. 

 

Acting is very good. Neil Tiger Free is outstanding as her character goes through a lot of horror. Ralph Insen steps into the role of Father Brennan (a central character from the ’76 OMEN) very well. Charles Dance appears in a small cameo, and Billy Nighy is his usual excellent self. 

 

As a horror film, THE FIRST OMEN does all it needs to. It scares, it jumps, and it barks and drools. As a Prequel, it stumbles towards the finish line and some of the direct ties to THE OMEN are a little loose. There’s still a gap, but it’s a lot smaller now. 

 

BOTTOM LINE: Rent it 

A Reel Review: MONKEY MAN

In 2008, actor Dev Patel was introduced to the Western world in the Oscar-winning SLUMDOG MILLIONAIRE. This year, Patel steps in front of and behind the camera and introduces the East to the world in the one-two punch of MONKEY MAN. 

 

An anonymous man known only as Kid (Patel), spends his nights fighting in illegal combat under the moniker (and mask), of Monkey Man…which is his gateway into the dangerous underworld where he is seeking revenge for the death of his mother. 

 

Directed and co-written by Patel, MONKEY MAN on the surface is a standard revenge tale. Kid is looking to avenge his mother’s death, which came at the hands of a corrupt chief of police. Kid enters a high-rolling hotel under the guise of a kitchen worker, and makes his way closer to his enemy where he plots his kill. 

 

It’s a plot we’ve seen and heard of before, but not quite like this. Patel injects much of his Indian heritage into the film, drawing upon the folklore and legends that he grew up with to draw a line between the Kid and Eastern beliefs. There is a rich mythology hanging over everything and it really works. Patel is also not afraid to play with structure; when the film begins Kid is already well into his plotting, and the story of how he got there is brought to us in well-timed flashbacks…how his mother met her bloody end is not fully revealed until nearly the very end. 

 

On a broader scope, MONKEY MAN is taking place during a time of great political turmoil, and Kid’s actions ultimately have huge ramifications for a lot of people. Patel also takes a harsh look at India, drawing a line between the rich and the poor and India’s unwanted peoples.

 

Once the punches start flying, it is no-holds-barred. The action is bloody, brutal, and relentless; from the fighting ring to bathrooms to city streets…MONKEY MAN is a rapid-fire assault on the senses, and we can feel every punch. Patel puts in a remarkable performance, in both physical and emotional. Sharlto Copley shows up in a extended cameo as a ring announcer and is a hoot. 

These days there is a lot of talk about who should be directing what kind of movie, and those talks are usually based around gender or skin color. In MONKEY MAN, Patel proves that it’s not just about color or gender, but about culture, and makes this punch-out action flick a knockout. 

 

BOTTOM LINE: See it 

 

 

A Reel Preview: The Year in Film 2024 - Episode IV

It’s April, and the wretched Spring weather in the coming weeks will likely destroy any outdoor activities…so instead of going outside and drowning and freezing…the time is right to get to the theatre, as the month is busy playing in genres of drama, action, and horror. Here’s what’s coming to the big screen in April: 

 

 

 

MONKEY MAN – Actor Dev Patel (LION, SLUMDOG MILLIONAIRE), makes his directorial debut and also stars in this action thriller as a young man who dives into the underground to avenge his family. Sharlto Copley co-stars. 

 

 

THE FIRST OMEN – This Legacy Prequel serves as backstory to the classic horror film THE OMEN from 1976. Bill Nighy stars. 

 

 

WICKED LITTLE LETTERS – This story follows the investigation into crude letters sent anonymously to residents of Littlehampton, England in the 1920’s. Olivia Colman stars. 

 

 

THE BEAST – Former Bond Girl Lea Seydoux (NO TIME TO DIE), stars in this sci-fi thriller where DNA can be purified to purge all feelings. George MacKay (1917), co-stars. 

 

 

CIVIL WAR – Visionary director Alex Garland (EX MACHINA), directs this thriller which follows a team of journalists traveling across America…which is about to fall into a second Civil War. Kirsten Dunst stars. 

 

 

STING – Giant spiders take to the big screen in this horror flick. 

 

 

ARCADIAN – Nic Cage protects his twin sons from night creatures in an apocalyptic world in this horror-thriller.

 

 

ABIGAIL – Another horror flick, where kidnappers abduct a young girl…only to find out she’s a vampire. Dan Stevens (TV’S DOWNTON ABBEY), and Kathryn Newton (ANT-MAN 3), star. 

 

 

THE MINISTRY OF UNGENTLEMANLY WARFARE – Guy Ritchie (SHERLOCK HOLMES), directs this spy comedy which heavily fictionalizes a secret WWII operation. Henry Cavill (MAN OF STEEL), leads the way. 

 

 

SASQUATCH SUNSET – Jesse Eisenberg (THE SOCIAL NETWORK), and Riley Keough (PATERNO), star in this surreal comedy which follows a family of Sasquatch over a year. 

 

 

CHALLENGERS – Acclaimed director Luca Guadagnino (CALL ME BY YOUR NAME), returns with this romantic sports-drama about a tennis prodigy caught in a love triangle. It stars Zendaya (DUNE), and Josh O’Connor (THE CROWN). 

 

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Next month, Reel Speak previews the massive month of May.