A Reel 20: HARRY POTTER AND THE GOBLET OF FIRE

“Soon we must all face the choice between what is right and what is easy.” 

 

This month marks the 20^th anniversary of HARRY POTTER AND THE GOBLET OF FIRE. 

 

Directed by Mike Newell and based on the fourth book of the same name in the series by J.K. Rowling, GOBLET OF FIRE followed Harry in his fourth year at Hogwarts, as he is mysteriously chosen to compete in the famed and dangerous Triwizard Tournament. 

 

Arriving the year after the successful and heralded third film, THE PRISONER OF AZKABAN, GOBLET OF FIRE went through several directors before production. Chris Columbus, who had helmed the first two films, was on board before deciding to spend more time with his family. M. Night Shyamalan was approached but passed. The task eventually went to Mike Newell, who was known for his award-winning drama FOUR WEDDINGS AND A FUNERAL (1994), and the mob drama DONNIE BRASCO (1997). 

 

Filming began in May of 2004 in England, with the ensemble cast returning: Daniel Radcliffe, Emma Watson, Rupert Grint, Robbie Coltrane, Maggie Smith, Michael Gambon, Jason Isaacs, Gary Oldman, Timothy Spall, and Alan Rickman. Newcomers included Robert Pattinson, Brenden Gleeson, David Tennant, and Ralph Fiennes in his stunning debut as the evil Lord Voldemort. Music was composed by Patrick Doyle. 

 

On release, GOBLET OF FIRE was met with good reviews and was a box office hit, finishing as the highest grossing film of the year. At the 78^th Academy Awards it was nominated for Best Art Direction. It won the BAFTA Award for Best Production Design, making it the first film in the series to win a BAFTA. 

 

*

 

Although THE PRISONER OF AZKABAN went into some dark places, GOBLET OF FIRE marked a point of no return for the series. As the characters aged, the film naturally blended adolescence with the rise of a real danger. The Triwizard Tournament showed great spectacle (the dragon fight still impresses), and Voldemort’s long-awaited chilling debut elevates the stakes. 

 

For this blogger, GOBLET OF FIRE is his personal favorite of the series. The maturity of the characters, the dazzling tournament, and character conflicts give the film a weight. But most of all, the heartbreaking scene of Cedric Diggory’s father mourning his dead child is an emotional high point that the franchise never matched again. It was the first time we had seen a significant death on-screen, and it was a hint of what was yet to come. 

 

“He’s back!”

 

 

A Reel Preview: The Year in Film 2025 - Episode XI

The colder months of November are traditionally where things heat up on the big screen, when awards hopefuls start to roll out. Here are the notable releases coming to theaters in the second-to-last month of 2025. 

 

 

CHRISTY – Sydney Sweeney (ANYONE BUT YOU), plays professional boxer Christy Martin in this biopic drama. Ben Foster co-stars, and it is directed by David Michod (ANIMAL KINGDOM). 

 

 

DIE MY LOVE – In this black comedy, a young couple and new parents struggle with psychological distress and isolation. The cast includes Jennifer Lawrence, Robert Pattinson, LaKeith Stanfield, Nick Nolte, and Sissy Spacek. 

 

 

NUREMBERG – Set during the Nuremberg trials, a psychiatrist (Rami Malek), is tasked with determining if a Nazi (Russel Crowe), is fit to stand trial. John Slattery, Colin Hanks (son of Tom), Michael Shannon, and Richard E. Grant co-star.

 

 

PREDATOR: BADLANDS – In this ninth installment of the PREDATOR franchise that launched in 1987, a young Predator is sent to a remote planet in search of the ultimate adversary. Elle Fanning stars. It is directed by Dan Trachtenberg, who helmed the most-excellent PREDATOR spin-off PREY in 2022. 

 

 

NOW YOU SEE ME: NOW YOU DON’T – The third installment in the NOW YOU SEE ME heist series. This time the Four Horsemen (Jesse Eisenberg, Woody Harrelson, Dave Franco, Isla Fisher), reunite to steal a large diamond. Morgan Freeman and Rosamund Pike co-star. 

 

 

THE RUNNING MAN – Edgar Wright (BABY DRIVER), directs this new adaptation of the 1982 Stephen King novel. Set in the near future, a working-class man enters a deadly game to save his sick daughter. The cast includes Glen Powell, Josh Brolin, Colman Domingo, Lee Pace, Michael Cera, William H. Macy, and Emilia Jones (CODA). 

 

 

WICKED: FOR GOOD – The second part and conclusion to the adaptation of the Broadway musical, which began last year with the smash-hit WICKED. Set in the Land of Oz before and during the arrival of Dorothy, Elphaba and Glinda embrace their new identities as the Wicked Witch and Glinda the Good. The cast includes Cynthia Erivo, Ariana Grande, Michelle Yeoh, Jeff Goldblum, and Jonathan Baily. Jon M. Chu directs. 

 

 

ZOOTOPIA 2 – This sequel to the Disney hit has Judy Hopps and Nick Wilde going undercover to solve a case involving a mysterious pit viper. The voice-cast includes Ginnifer Goodwin, Jason Bateman, and Ke Huy Quan. 

 

 

WAKE UP DEAD MAN: A KNIVES OUT MYSTERY – Rian Johnson returns to helm this third entry in the KNIVES OUT whodunit film series, this time with Detective Blanc (Daniel Craig), taking on a new case involving a priest and his congregation. The ensemble cast includes Josh O’Connor, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeney, Thomas Haden Church, and Jeffrey Wright. 

 

*

 

Next month, Reel Speak previews the final month of 2025. 

A Reel Opinion: Unearthing the Music of DRACULA

Happy Halloween, mortals! In this time of scary stories that can only be delivered by celluloid, the question that horror fans have been debating for over 25 years has risen again: which is the best, and proper way to watch the classic horror film, DRACULA from 1931? 

 

In 1998, composer Phillip Glass was commissioned to compose a score for DRACULA, which was originally released without one. Since its release, horror fans have been debating if this was an improvement, or an abomination. 

 

Because of costs that came with producing an original score to a film’s soundtrack in 1931, DRACULA never had its own music, with only an excerpt from Tchaikovsky’s Swan Lake used in the opening credits, and short bits from Wagner and Schubert in a theater scene. In 1998 for a home video release, Glass, who would win an Oscar in the same year for THE TRUMAN SHOW, was brought in to compose an original score for the film. Glass would take a minimalist approach, using the Kronos Quartet. The release came in 1999 on VHS, and later editions on DVD and Blu-Ray would give fans the option of watching with, or without the score. 

 

But which is better? There are good and bad points to both. In its original form without music, DRACULA can be a drag, with longer scenes without dialogue that seem to take forever to unfold…with only the crackle and hiss to keep us company. And film music, as we all know, goes a long way in helping the audience read the tone of a scene. The absence of this makes DRACULA difficult to take in. On the other hand, with no score we are seeing (and hearing), the film as audiences in 1931 did, with eerie silences and sparse sound. There is also an argument that the lack of music makes us focus more on sounds like footsteps, creaking doors, and star Bela Lugosi’s voice. 

 

The voices in support of the Glass score are strong. The added music gives the film a hypnotic vibe and adds a lot of creepy atmospheres. The score fills the silence, giving us a sense of momentum and tension. It also bridges the gap between old and new audiences, making the film more accessible to modern audiences without altering visuals (like colorization or CGI effects). 

 

For this Blogger, the scored version is the way to go. It feels less cobbled together, and the pacing is magically improved. The film is just better. The original version offers a pure sense of cinema history, but if revisiting or showing it to someone new who may struggle with the pacing, the Glass version is a tasteful, and elegant bridge into classic horror. DRACULA is creeping up on its 100th anniversary, and if it is to endure the ages, the scored version is the gateway. 

 

A Reel Review - SPRINGSTEEN: DELIVER ME FROM NOWHERE

In late 1981, born-to-be-mega-rockstar Bruce Springsteen secluded himself in Colts Neck, New Jersey…to work on his sixth studio album. The end result was the quiet acoustic record, Nebraska. The story of the making of this album has been well-documented over the years, which makes it a challenge to put to film. The idea behind SPRINGSTEEN: DELIVER ME FROM NOWHERE is to make the journey the story over the destination. 

 

After wrapping up his tour in support of his album The River, Springsteen (Jeremy Allen White), goes into seclusion and begins the writing process for his next record. With his audio engineer Mike (Paul Walter Hauser), and support from his manager Jon Landau (Jeremy Strong), Springsteen revisits his troubled past with his father (Stephen Graham), to battle his own depression and find inspiration for what would become Nebraska. 

 

Directed by Scott Cooper and based on the book of the same name by Warren Zanes and Springsteen’s biography Born to Run, DELIVER ME FROM NOWHERE is an intimate, and often stunning look at one man’s depression intertwined with his musical journey. The Springsteen we have been so used to seeing over the years, with his swagger and top-of-the-world vibe, doesn’t exist yet in 1981, and what we follow here is an artist struggling with uncertainty and anguish. 

 

Director Scott Cooper guides us through Springsteen’s musical journey with a steady hand, taking us through his romance with Faye (Odessa Young), and his deep dive into film and literature to find inspiration for the album. Cooper films his actors as if he is framing an album cover in every scene, and the results are gorgeous. The musical scenes, from Springsteen’s thunderous stage performances to his quieter strumming, are excellent. 

 

Jeremy Allen White recaptures Springsteen in breathtaking fashion, and his vocals on the tracks are good enough to fool anyone. The rest of the cast, including Odessa Young, Jeremy Strong, Paul Walter Hauser, David Krumholtz, Stephen Graham, Marc Maron, and Gaby Hoffman are all excellent. 

 

When Springsteen finished recording his acoustic demos for Nebraska, he tried to produce them traditionally with his full band, but later elected to release the stripped-down versions. It was a bold move at the time, and it’s a bold move for Springsteen to be on board with DELIVER ME FROM NOWHERE, as it strips away the larger-than-life myth of Bruce Springsteen. Much like the album it documents, it is non-traditional and quiet, and worth the journey. 

 

BOTTOM LINE: See it 

A Reel Preview: The Year in Film 2025 - Episode X

The glorious winds of Fall have arrived, bringing in a packed month of awards hopefuls, horror, and sci-fi. This month will also have re-releases back on the big screen including AVATAR: THE WAY OF WATER, GOLDENEYE, CASPER, THE LAST DRAGON, and BACK TO THE FUTURE. 

 

Here now is a preview for new films coming to theatres in October: 

 

 

THE SMASHING MACHINE – Dwayne Johnson stars in this biopic about MMA fighter Mark Kerr. Emily Blunt co-stars, and it is directed by Benny Safdie (UNCUT GEMS). 

 

 

ANEMONE – Acting legend Daniel Day-Lewis returns for his first film since 2017, taking on the role of a recluse coming home to his family. Sean Bean co-stars, and it is directed by Ronan Day-Lewis (son of Daniel). 

 

 

KISS OF THE SPIDER-WOMAN – A musical drama based on the stage production of the same name. Jennifer Lopez and Diego Luna star. It is helmed by acclaimed director Bill Condon (GODS AND MONSTERS, CHICAGO). 

 

 

TRON: ARES – This standalone sequel to TRON: LEGACY (2010), has the advanced program coming into the real world out of the digital realm. The cast includes Jared Leto, Greta Lee, Evan Peters, Gillian Anderson, and Jeff Bridges. 

 

 

AFTER THE HUNT – Acclaimed director Luca Guadagnino (CALL ME BY YOUR NAME, QUEER), returns with this drama about a college professor caught up in a sexual abuse scandal. It stars Julia Roberts, Andrew Garfield, Michael Stuhlbarg, and Chloe Sevigny. 

 

 

BLACK PHONE 2 – Ethan Hawke reprises his role as the serial killer in this sequel to the 2021 slasher hit. 

 

 

FRANKENSTEIN – Guillermo del Toro (PAN’S LABRYNTH, THE SHAPE OF WATER), is back with this remake/retelling of the classic novel. Oscar Isaac stars as victor, and Jacob Elordi plays the creature. The rest of the cast includes Mia Goth, Lars Mikkelsen, Christoph Walz, and Charles Dance. 

 

 

SPRINGSTEEN: DELIVER ME FROM NOWHERE – Jeremy Allen White (TV’s THE BEAR), plays The Boss Bruce Springsteen in this biopic which follows the creation of the Nebraska album. The cast includes Jeremy Strong, Paul Walter-Hauser, and Stephen Graham. It is directed by Scott Cooper (CRAZY HEART). 

 

*

 

Next month, Reel Speak previews November.

 

 

 

A Reel Look Back: TAPS

Earlier this week, the Valley Forge Military Academy in Wayne, Pennsylvania, announced that it would close after the 2025-2026 academic year, after 97 years in operation. The campus was the primary filming location for the 1981 drama, TAPS. Although this year is not a significant anniversary for the film, the closure makes this a good time to look back, for the film’s plot ironically resembles this week’s news.   

 

TAPS was directed by Harold Becker and was based on the 1979 novel Father Sky. It followed a group of military school students who decide to take over their school to prevent it from closing. Leading the way was a 21-year-old Timothy Hutton, who would earn a Golden Globe nomination for his performance. Behind Hutton would be Sean Penn in his first role, and Tom Cruise in his second film and first major role. Hutton, Penn, and Cruise would undergo military training to prepare for filming. Giancarlo Esposito and Evan Handler also starred, along with veteran actors Ronny Cox and George C. Scott. Filming would take place at the Academy along with locations at Valley Forge National Historical Park, with actual cadets serving as extras. Maurice Jane would provide the score. TAPS would be met with good reviews and turn a profit at the box office. 

 

*

 

TAPS was a film that was revisited often at home growing up, as this Blogger’s dad loved a good military drama (and also a big George C. Scott fan). Similar to A FEW GOOD MEN (the best military drama of all time), TAPS explores military duty and loyalty; themes that work just as well today as they did in 1981. 

 

Through history, Valley Forge Military Academy was the stepping off point for many careers; J.D. Salinger, author of The Catcher in the Rye, was a graduate. TAPS also served as a stepping-off point for many film careers; launching the careers of Timothy Hutton, Sean Penn, and future film maverick and mega-star Tom Cruise. When the Academy does close its gates, it will have a lot to be proud of. 

Robert Redford: 1936 - 2025

Robert Redford has passed away at 89. 

 

A legend of acting and directing, Charles Robert Redford, Jr. was born in Santa Monica in 1936. He started his career in television, appearing in ALFRED HITCHCOCK PRESENTS and THE TWILIGHT ZONE. 

 

He made his film debut in 1962 in WAR HUNT, before finding leading-man stardom after his roles in BAREFOOT IN THE PARK (1967), BUTCH CASSIDY AND THE SUNDANCE KID (1969), JEREMIAH JOHNSON (1972), THE CANDIDATE (1972), and the Best Picture-winning THE STING in 1973, which would earn him an Oscar nomination for Best Actor. 

 

His career as an actor would continue through notable films such as THREE DAYS OF THE CONDOR (1975), ALL THE PRESIDENT’S MEN (1976), THE ELECTRIC HORSEMAN (1979), BRUBAKER (1980), and THE NATURAL (1980). He would star in yet another Best Picture winner, OUT OF AFRICA (1985), and continued with roles in SNEAKERS (1992), INDECENT PROPOSAL (1993), SPY GAME (2001), and THE OLD MAN AND THE GUN (2018). He would join the MCU in CAPTAIN AMERICA: THE WINTER SOLDIER in 2014, and its follow-up, AVENGERS: ENDGAME in 2019…which would be his final on-screen role. 

 

He would have just as much success in front of the camera as he did behind it. His directorial debut, ORDINARY PEOPLE (1980), would win four Oscars, including Best Picture and Best Director. He would also helm acclaimed films such as A RIVER RUNS THROUGH IT (1992), QUIZ SHOW (1994), THE HORSE WHISPERER (1998), and THE LEGEND OF BAGGER VANCE (2000).

His awards would include five Golden Globes, a BAFTA Award, the Cecil B. DeMille Award, and Screen Actors Guild Life Achievement Award, the Kennedy Center Honors, and the Presidential Medal of Freedom. He would co-found the famed Sundance Film Festival in 1981. 

 

*

 

The world “legend” gets tossed around a lot in print when recapping the life and times of a filmmaker or actor that has been around a long time, but for Robert Redford, the term is spot-on. He acted and directed in some of the best films of all time, and his name itself carried a weight to it. With his boyish good looks and sandy blonde hair, the man was simply born to be on the big screen. 

 

Off the screen, he did his best to make the world a better place, doing extensive work as a political activist where he was an advocate for the environment, and the rights for Native Americans and the LGBT community. 

 

For this Blogger, Redford was certainly a household name…with my parents big fans of THE STING and BUTCH CASSIDY. For me, my lasting memory of Redford would be his towering home run in THE NATURAL, which would ultimately be one of the greatest, stand-up-and-cheer and cry moments in all of cinema; rounding the corner amidst the lights and sparkles and that magnificent score…going home. 

A Reel 20: September of 2005

This month marks the 20^th anniversary of four notable films. 

The first to arrive in that glorious month of September 2005 was Tim Burton’s CORPSE BRIDE. 

 

It was a fantasy-musical that followed a groom-to-be that falls into the underworld and becomes engaged to a dead bride. Co-directed by Mike Johnson, CORPSE BRIDE was a return to stop-motion animation for Burton, and also re-united Burton with his regulars: Johnny Depp, Helena Bonham-Carter, and Christopher Lee. With mixed-to-good reviews, CORPSE BRIDE would be a moderate hit, and earn an Oscar nomination for Best Animated Feature. 

 

Next up would be the action thriller A HISTORY OF VIOLENCE. 

Directed by David Cronenberg, VIOLENCE was an adaptation of the 1997 graphic novel, and had Viggo Mortensen playing a mob assassin in hiding. Co-starring Ed Harris, William Hurt, and Maria Bello, VIOLENCE was quickly regarded as one of Cronenberg’s best films and one of the best films of the year, and earned two Oscar nominations: Best Adapted Screenplay and Supporting Actor for Hurt. 

 

The drama would continue with the biopic drama, CAPOTE. 

The late great Phillip Seymour Hoffman would play famed writer Truman Capote during his efforts to write and publish one of his most famous works, In Cold Blood. Directed by Bennett Miller, CAPOTE would earn five Oscar nominations: Best Picture, Director, Supporting Actress (Catherine Keener), Adapted Screenplay, with Hoffman winning for Best Actor. 

 

The drama would ease up a little towards the end of the month with Joss Whedon’s SERENITY. 

A space-western, SERENITY was the finale to Whedon’s cancelled-yet extremely popular TV series, FIREFLY, and followed his collection of smugglers and outlaws evading the law while protecting one of their own. The cast of FIREFLY returned (Nathon Fillion, Alan Tudyk, Adam Baldwin, Summer Glau, Sean Maher, Morena Baccarin, Ron Glass, and Jewel Staite), and they were joined by the always-excellent Chiwetel Ejiofor. Reviews were good and the film would win the Hugo Award for Best Dramatic Presentation.

 

*

 

September of 2005 was in that period of time before things really started to change. Only two years before, THE LORD OF THE RINGS had kickstarted a new era of big-budget, high-profile franchises, and studios were gearing up for the Marvel Cinematic Universe. But the MCU was still three years away, and although HARRY POTTER was in the middle of its run in 2005, theatres were not jammed with franchises. This left the door wide-open for smaller films to come in and make an impact. 

 

September of 2005 had an excellent collection of films that hit every cinematic note; action, drama, sci-fi, animation, horror, and Oscar-winners and nominees. It was a month full of options, and a far-cry from today’s slim-pickings at the theatre. This month stands as a snapshot of the good-ol-days. 

 

 

 

 

 

A Reel Preview: The Year in Film 2025 - Episode IX

The fun of the Summer Movie Season is over, and the glorious winds of Fall sweep in with serious dramas. This month also brings in re-releases for significant anniversaries: TOY STORY (30 years), THE SOUND OF MUSIC (60 years), and APOLLO 13 (30 years). Here now is a preview for everything else coming to the big screen: 

 

 

 

THE CONJURING: LAST RITES – The ninth and final (ha), installment of the CONJURING horror franchise. This time, the paranormal investigators (Patrick Wilson, Vera Farmiga), take on the real-life supposed haunting of the Smurl family. 

 

 

 

DOWNTON ABBEY: THE GRAND FINALE – The third and final (ha), film in the DOWNTON franchise, which began as a TV series in 2010. This time, the Crawley family enters the 1930’s and battles a scandal.

 

 

 

THE LONG WALK – In this adaptation of the 1979 Stephen King novel, a group of young men enter a walking contest where they must maintain a certain speed or face execution. 

 

 

 

WALTZING WITH BRANDO – Billy Zane (TOMBSTONE, TITANIC), undergoes a stunning-looking transformation into famed actor Marlon Brando in this biopic. Richard Dreyfuss and Jon Heder (NAPOLEON DYNAMITE) co-star. 

 

 

 

SPINAL TAP II: THE END CONTINUES – Rob Reiner returns behind the camera to helm this legacy sequel to his definitive mockumentary about a rock band. Christopher Guest, Michael McKean, and Harry Shearer reprise their roles. 

 

 

A BIG BOLD BEAUTIFUL JOURNEY – This romantic fantasy film stars Colin Farrell and Margot Robbie as two strangers on an amazing journey. 

 

 

ONE BATTLE AFTER ANOTHER – Master director Paul Thomas Anderson (THERE WILL BE BLOOD), returns with this action thriller about a group of ex-revolutionaries re-uniting to rescue one of their own’s daughter. The cast includes Leonardo DiCaprio, Sean Penn, Benicio del Toro, Regina Hall, and Alana Haim. 

 

 

 

THE STRANGERS: CHAPTER 2 – The fourth film in the STRANGERS horror franchise, and the second installment of a new trilogy that re-launched last year. 

 

*

 

Next month, Reel Speak previews the massive month of October. 

A Reel Opinion: Classics Reborn

Hollywood has long been a copycat business. If one studio has a hit doing sci-fi, then the rest will follow. We’ve seen this with 3D, fantasy, franchises based on books, monster movies, and connected universes. It’s a pattern that’s become predictable, yet profitable. 

 

This year, Hollywood found a new, shiny toy: The Re-release. This year has seen many re-issues into theatres celebrating significant anniversaries. Earlier this year, STAR WARS: EPISODE III – REVENGE OF THE SITH returned to the big screen for its 20^th anniversary and turned in a surprising box office result. And just like that, multiplexes are loaded with films that are anywhere from 15 to 50 to 60 years old. BLACK SWAN from 2010 returned this month for its 15th anniversary, as will JAWS in IMAX for its 50^th. And later this year, we’ll be seeing big-screen comebacks for BACK TO THE FUTURE, THE BREAKAST CLUB, TOY STORY, APOLLO 13, and THE SOUND OF MUSIC. It’s become such a popular thing that STAR WARS (1977), has already been announced for a theatrical run for its 50^th anniversary…two years from now in 2027. 

 

This has been good business for studios and theatres, with the latter still battling the shadow of the mishandled pandemic and the convenience of streaming. Re-releases have been an easy way to make a few bucks; the films reputations do the selling for them. Nostalgia is a big selling point, with audiences remembering where they were 20 or 25 years ago when they first experienced these films in theatres…along with the opportunity to introduce the next generation to old favorites. 

 

The flip side to this is newer films may struggle to find footing when they are going up against legends. Darren Aronofsky’s newest film, CAUGHT STEALING, could not secure premium IMAX screens, thanks to the return of JAWS the same weekend. Original films may struggle just like they do when they go up against remakes, but hey…a re-release is better than a lazy remake. 

 

Re-releasing old films reminds us that the big screen is where cinema began. It delivers nostalgia and triggers strong memories, and reminds us why these films remain culturally relevant and powerful. The only mystery is why Hollywood didn’t start doing this sooner.