Short films can be considered to the purest form of
filmmaking. With limited time to work with, the challenge is to tell a story
and develop characters as effectively and swiftly as possible, and with the
rules in place for all, independent filmmakers can easily compete with larger
studios. This year’s batch of live-action Oscar nominees rises up to the
challenge, while drawing inspiration from real life drama.
Here are the Reel Reviews for the nominees…
DEKALB ELEMENTARY – A lone gunman enters an elementary
school and forms a bond with the terrified receptionist.
Inspired by a real-life 911 call during a school-shooting
incident in Atlanta, this film feels like a chunk of a larger story, and could
have benefitted from more setup and a stronger conclusion. But, on its own this
is a harrowing movie, as it doesn’t pull any punches in dropping us right in
the middle of a frightening ordeal.
WATU WOTE (ALL OF US) – In Kenya, a Christian woman is
protected by Muslim passengers on a bus hijacked by terrorists.
Also based on a real-life incident, this powerful film also
drops us right down the gun barrel. It’s an exploration of faith and trust, and
how different religions can ultimately have one thing in common.
THE ELEVEN O’CLOCK – A delusional patient of a psychiatrist
believes he is actually the
psychiatrist.
The only comedy film of this year’s nominees is full of
laughs, but at the same time can be obnoxious as the patient and doctor battle
over their identities. The dialogue is sharp and witty and very clever, and it
constantly changes what we think we know is going on…although the twist at the
end is telegraphed very early.
MY NEPHEW EMMETT – A preacher in 1955 Mississippi tries to
protect his 14-year-old nephew from racist killers.
This nominee is based on the real-life, infamous murder of
an African-American teen in 1955, and has the potential for a feature-length
film while standing well on its own. It’s a quick reminder of the vicious
racism that plagued the deep south in the 1950’s, and also ramps up the tension
once threats are made and guns are drawn. It’s the best-looking of the batch
with stunning cinematography which seems to rely only on natural lighting.
THE SILENT CHILD – The parents of severely deaf little girl
clash with her social worker/teacher over the best way to help her.
This little heartbreaker serves as a social statement and
has the most potential as a feature-length. The idea here is that deaf children
are at a disadvantage not only because of their handicap, but because schools
and parents are un-equipped, or un-willing to take the right steps to help
them. The acting in this is excellent, and the finale will have anyone reaching
for the tissues.
*
Review for the Animated Short Film nominees HERE
The Oscars will be awarded March 4th.
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