For director Ryan Coogler, the pressure was certainly on in
bringing BLACK PANTHER to the big screen for the first time. Originally created
in 1966, the character was the very first African-American superhero; a
reaction to the Civil Rights movement, and over the years has come to mean a
lot to a lot of people. The character represents equality and culture and a lot
more, and deserved to be done right in the massive, and ever-growing series of
Marvel’s super-films.
After the death of his father, T’Challa/Black Panther
(Chadwick Boseman) arrives home as the new king of Wakanda; a hidden,
technologically advanced African nation which has remained secluded from the
world for thousands of years. While being faced with the immense pressure of
Wakanda’s future and living up to his father’s reign, T’Challa’s right to the throne
is challenged by N’Jadaka (Michael B. Jordan), also known as Killmonger…who has
big plans for Wakanda and its secrets.
BLACK PANTHER arrives as the 19th (!) film in the
Marvel Cinematic Universe (MCU) since 2008, and right away makes the smart
decision to focus its story on a single, isolated region which rarely ventures
out, even though the eventual stakes have far-reaching consequences. It’s a
battle for the throne and the future of Wakanda, with the latter point being
the most important. Wakanda is a region of long-standing tradition; with the tradition
of never interfering or assisting the world with its problems the hardest one
to break. It’s a world-building exercise that gives T’Challa, his supporters,
and his enemy Killmonger good territory to battle over, as the film leans
heavily on a theme of what to do with old traditions when they seem obsolete;
is it a betrayal of ancestry to adopt to the changing times, or a necessity to
survive?
Far from a basic origin story (it’s not an origin story at
all), BLACK PANTHER goes deeper with its characters for even more meat to chew
on. T’Challa is struggling with the burden of rule and getting out of his
father’s shadow, while Killmonger is a villain coming out of tragedy.
Killmonger especially is given strong motivations to take over Wakanda, and his
ideas of how the isolated kingdom should be using its riches and technology is
debatably on the right side. This gives BLACK PANTHER an important depth.
Once the action starts BLACK PANTHER truly soars. The fight
scenes, especially the hand-to-hand combat are a thrill, and every time
T’Challa dons the Black Panther suit, the screen is commanded by his presence.
The film is packed with tragedy with character deaths and lots of stabbing with
spears and claws, and the stakes to every fight are always felt. The film looks
beautiful and every shot is framed nicely. Editing and pacing could be a little
tighter in some places; scenes leading up to a few action sequences needed some
more energy and forward momentum. Ludwig Goransson’s score is excellent. The
film is saturated in African culture; clothing, traditions, and music are a
major part of the film’s identity and give it a uniqueness in the Marvel
catalog and the superhero genre.
Chadwick Boseman is excellent as the struggling ruler and as
the hero. The burden of leadership can always be seen on his face, but he
switches from unsure to fierce in a blink, and his accent is perfect. Michael
B. Jordan matches Boseman nicely, and is given a lot to do while nearly
stealing the movie. Boseman is surrounded by a great supporting cast; Lupita
Nyong’o, Danai Gurira, Angela Bassett, Daniel Kaluuya, and Forest Whitaker are
well-cast and are very good, and Jordan trades barbs with returning Marvel
bad-guy Andy Serkis…who is always a joy to see. Martin Freeman also reprises
his role as a government man; his character feels a little extraneous but his
worth is eventually felt by movie’s end.
The final battle of BLACK PANTHER relies on way too much
spectacle and becomes a bit of a CGI headache, but the film still wraps with a
satisfying conclusion, and despite being firmly entrenched in the MCU, operates
very well as a standalone film. As a superhero movie, BLACK PANTHER excels in
action and character, and its few flaws don’t derail it as a fitting adaptation
to an important hero.
BOTTOM LINE: See it
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