A Reel Review: THE MANDALORIAN AND GROGU

Nearly 50 years ago, STAR WARS exploded onto the big screen and changed the world forever. Since then, there have been ten live-action feature films (and one animated), building a galactic franchise despite many gaps in-between Sagas and stand-alone films. Here in 2026, for the first time in seven years, STAR WARS is back to the big screen, using perhaps its greatest asset: THE MANDALORIAN AND GROGU. 

 

Set some years after the fall of the evil Galactic Empire, the Mandalorian (Pedro Pascal), and his Force-wielding, judge-me-not-by-my-size foundling Grogu (played by himself), are working for the New Republic in bringing former Imperials to justice. Mando and Grogu are tasked with hunting down an important target, which leads them to a messy confrontation with the crime-lord Hutts. 

 

Directed by Jon Favreau, MANDO is a fetch-quest film. Capturing the Imperial asset (warm or cold), leads Mando and Grogu to the rescue of Rotta the Hutt (son of Jabba), in order to secure the information from Jabba’s other mafia-like leading siblings. One scrape leads to another, and the limits of Mando and Grogu’s abilities and powers are put to the test. 

 

MANDO is a high-energy film, racing from one location to the next, staging one battle after another, at light-speed pacing. Staying full-throttle is the beating heart of the film, and it is very much reminiscent of the early days of STAR WARS, when providing thrills took precedence over building a franchise. There’s little time for character development, nor does the film care. 

 

Jon Favreau, who learned how to direct effects-driven action sequences from his time in the Marvel universe, delivers some stunning set-pieces that bring the tension and the fun. And when the film does slow down for necessary pauses, the quiet moments are very well done. The entire cast is excellent, the references to the bigger STAR WARS universe are well-placed, and Ludwig Goransson’s score is outstanding. 

 

When STAR WARS first arrived, it was very much a stand-alone story with only hints of a larger world and what could come next. THE MANDALORIAN AND GROGU is done very much in that style: it does not spend time building what comes next, nor does it rely on what came before it. It is self-contained, breezy, and fun…and is everything STAR WARS promised in 1977. 

 

BOTTOM LINE: See it 

A Reel 40: TOP GUN

“I feel the need, the need…for speed!”

This month marks the 40^th anniversary of TOP GUN. 

 

Directed by Tony Scott (brother of Ridley), TOP GUN followed hot shot Navy fighter pilot Lt. Mitchell, codenamed Maverick, who is given the chance to train at the Navy’s Fighter Weapons School. 

 

The film was inspired by an article in California magazine. Famed action-film producer Jerry Bruckheimer became interested and hired screenwriters Jim Cash and Jack Epps, Jr. to write the script. Tony Scott was hired to direct on the strength of his work on a commercial, which featured a Saab 900 turbo racing a fighter jet. 

 

Tom Cruise was offered the role but was reluctant. Cruise, who was filming LEGEND at the time for Tony’s brother Ridley, was convinced by Ridley to take the role. The rest of the cast was filled out by Val Kilmer, Kelly McGillis, Anthony Edwards, Tom Skerritt, Michael Ironside, James Tolkan, Meg Ryan, and Tim Robbins. 

 

With script approval from the U.S. Navy, filming began in California in 1985, and later to Miramar. The Navy made aircraft and crew available for filming. Kenny Loggins performed two songs for the soundtrack, including Danger Zone. Berlin added Take My Breath Away. 

 

On release, TOP GUN earned mixed reviews but was a box office smash, finishing as the top earning film of the year worldwide. It would be nominated for four Oscars, with Take My Breath Away winning for Best Original Song. In 2015, TOP GUN would be selected for preservation in the National Film Registry. In 2022, the sequel, sub-titled MAVERICK, opened to widespread critical acclaim. 

 

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With thrilling aerial stunts, a memorable soundtrack, and charismatic performances from the cast creating fun, and memorable characters…TOP GUN captured our hearts and our adrenaline from day one. The film inspired a generation of new fighter pilots, influenced even more filmmakers, and made Tom Cruise the world’s biggest star; a title that he would never have to give up. 

 

Today, TOP GUN can be looked at as a big chunk of 1980’s cheese, especially when compared to its towering (and superior), 2022 sequel. But decades after its release, its themes of ambition, friendship, and balls-out heroism really hits hard. TOP GUN flies as a cultural landmark. 

 

“Let’s turn and burn!”

 

 

 

 

 

A Reel Opinion: The Last Year

It will be a day long remembered. 

 

STAR WARS Month has arrived again. The month of May has long been held as the time to celebrate that far, far away galaxy that has captivated fans for decades. It is a time to revisit the films, streaming series, novels, and soundtracks that have long held inspiration, fun, and dreams of dusting across the stars. This year is a unique year, as it is the last year to celebrate STAR WARS before it turns 50 years old. That’s right, STAR WARS will be a half-century old next year. 

 

There is a certain point of view to look at before STAR WARS becomes a really old movie. When the first generation of fans saw the film in the Spring or Summer of 1977, a movie that was 50 years old was considered to be ancient. And that was no hyperbole. 

 

Fifty years before STAR WARS puts us into 1927, which was in the silent era. In this year, The Academy of Motion Picture Arts and Sciences (the Oscars), were founded, Oswald the Lucky Rabbit had his debut, and THE JAZZ SINGER, starring Al Jolsen, became the first box office hit with sound…a hit that would change things forever. And to top it off, the science fiction epic METROPOLIS premièred; a film that would hold inspiration over STAR WARS. 

 

It is ironic, or perhaps the will of the Force, that 1927 would be a milestone year in the film industry, because when STAR WARS arrived 50 years later, things would change forever again. Where 1927 introduced sound and the Oscars, the galaxy full of stories concerning Jedi, droids, smugglers, rebels, and a Galactic Empire would alter not just film but our culture. In one year, we will be celebrating just that. We will be celebrating what STAR WARS has done to the world and to our lives. It will be a day long remembered. 

A Reel Preview: The Year in Film 2026 - Episode V

The wretched Spring weather may still be hanging around, but May is the official start of the Summer Movie Season; a time to start having fun again. This month sees re-releases for SHREK (25 years), and TOP GUN (40 years)…with the latter being paired in a double-feature with TOP GUN: MAVERICK. This month also sees the return to the big screen for the biggest franchise in motion picture history. This is where the fun begins…

 

ANIMAL FARM – Andy Serkis (THE LORD OF THE RINGS), directs this new animated adaptation of the classic George Orwell novella. The voice cast includes Seth Rogan, Kieran Culkin, Glenn Close, Steve Buscemi, Woody Harrelson, and Kathleen Turner. 

 

DEEP WATER – In this survival film, an international flight crash-lands in shark-infested waters. Aaron Eckhart and Ben Kingsley star. It is directed by Renny Harlin (DIE HARD 2, CLIFFHANGER). 

 

THE DEVIL WEARS PRADA 2 – Meryl Streep, Anne Hathaway, Emily Blunt, and Stanley Tucci reprise their roles in this sequel to the 2006 smash-hit. David Frankel also returns to direct. 

 

HOKUM – Adam Scott stars in this horror flick about an author who travels to Ireland to spread his parents’ ashes, and finds his rented house to be haunted. 

 

MORTAL KOMBAT II – Karl Urban (STAR TREK, THE LORD OF THE RINGS), plays Johnny Cage in this sequel to the 2021 flop, based on the popular fighting video game. 

 

THE SHEEP DETECTIVES – Hugh Jackman starts in this mystery-comedy where a flock of sheep set out to discover who murdered their favorite shepherd. 

 

IN THE GREY – Stylistic action director Guy Ritchie (THE MAN FROM U.N.C.L.E.), helms this thriller where an elite team of agents are tasked with reclaiming a stolen fortune. The cast includes Henry Cavill, Jake Gyllenhaal, and Rosamund Pike. 

 

 

STAR WARS: THE MANDALORIAN AND GROGU – The famed far, far away galaxy returns to the big screen for the first time since 2019. Jon Favreau (IRON MAN) directs, and the cast includes Pedro Pascal, Jeremy Allen White, and Sigourney Weaver. 

 

 

PRESSURE – Brendan Fraser (THE MUMMY, THE WHALE), plays General Eisenhower in this drama leading up to the D-Day invasion. He is joined by Kerry Condon, Damian Lewis, and Andrew Scott. 

 

 

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Next month, Reel Speak previews the month of June. 

A Reel Legend: John Cazale

A Reel Legend tells the stories of cinematic icons who are no longer with us. The actors, actresses, and directors who have shaped the silver screen as we know it today. 

 

This month’s Reel Legend is John Cazale. 

 

Born in Massachusetts in 1935, John Holland Cazale started as a theater actor in Boston, ranging from local, to off-Broadway, to Broadway…acting alongside Al Pacino, Meryl Streep, and Sam Waterston. In 1968, he had his only television role, appearing in an episode of N.Y.P.D. 

 

In 1972 he would land the role of a lifetime, when Francis Ford Coppola cast him as the gentle, yet weak Fredo Corleone in THE GODFATHER. His role was expanded in THE GODFATHER PART II in 1974. Both films would win Best Picture and are regarded as two of the greatest ever made. Also in 1974, Coppola would cast him in his acclaimed mystery thriller THE CONVERSATION, alongside the late Gene Hackman. And in 1975, he would appear in the heralded crime drama DOG DAY AFTERNOON with Al Pacino. 

 

He returned to the theatre in 1975, and in 1977 was diagnosed with terminal lung cancer. Despite the diagnosis, he continued to work and would appear in the towering Vietnam drama, THE DEER HUNTER; joining a stacked cast that included Robert DeNiro, Christopher Walken, Meryl Streep, and John Savage. THE DEER HUNTER would win Best Picture in 1978. 

 

Cazale would pass away in March of 1978. His filmography would finish with five feature films, three of which were Best Picture winners. 

 

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The greatness of John Cazale came from his bravery. This was an era that produced tough-guy characters such as Dirty Harry, Rocky Balboa, and Han Solo. Cazale went the opposite way and played guys who were weak, fragile, and confused. His role as Fredo broke hearts in the 70’s and still does today. He opened the door for actors to play men who were vulnerable. 

 

He did five films. Five perfect films. That is the outstanding legacy of John Cazale. Today, there is a lot of talk and debate over actors and directors who have a perfect track record. There are not many who can make that claim; even Spielberg and Daniel Day-Lewis have made a few clunkers. Cazale, even though he has a small sample size, had the talent to land in five films that defined an era…and all five are regarded as some of the best ever. It is a tragedy that he didn’t have the chance to do more, but his small filmography is one of the biggest. 

 

A Reel 50: ALL THE PRESIDENT'S MEN

“Follow the money…”

 

This month marks the 50^th anniversary of ALL THE PRESIDENT’S MEN. 

 

Directed by Alan J. Pakula, and based on the book of the same name by Bob Woodward and Carl Bernstein, ALL THE PRESIDENT’S MEN was a biographical political thriller about the famed Watergate scandal that ended the presidency of Richard Nixon. 

 

The scandal was brought to light by the reporting of Woodward and Bernstein during their tenure at The Washington Post, and in 1974, the same year their book was published, producer and actor Robert Redford would purchase the rights. Redford would bring on screenwriter William Goldman, who had just won an Oscar with Redford on BUTCH CASSIDY AND THE SUNDANCE KID. Redford would settle into the role of Bob Woodward, while Dustin Hoffman would play Carl Bernstein. The rest of the cast would include Jason Robards, Hal Holbrook, Ned Beatty, Stephen Collins, Martin Balsam, Meredith Baxter, Jack Warden, Polly Holiday, and F. Murray Abraham. Redford and Hoffman visited The Washington Post to research their roles, but the paper refused filming to take place inside of their newsroom. The production team built an exact replica of the newsroom. The set was built in Hollywood, while Redford and Hoffman filmed exterior scenes around Washington, D.C. 

 

Upon release, ALL THE PRESIDENT’S MEN received universal acclaim. It would finish as the fifth-highest grossing film of the year. At the 48^th Academy Awards, it would be nominated for eight Oscars, including Best Picture. It would win four; Best Supporting Actor for Robards, along with Best Screenplay (adapted), Art Direction, and Sound. In 2010, it was selected for preservation in the National Film Registry.

 

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Every now and then, there comes a film that inspires a generation or two to aspire to do more. JAWS and STAR WARS inspired more than one generation of filmmakers. TOP GUN inspired legions of fighter jet pilots. And ALL THE PRESIDENT’S MEN is credited with causing a surge in journalism schools. It’s subtle, slow-burning style showed how facts are put together piece-by-piece, and shaped public perception of journalists as not only watchdogs but truth-tellers. 

 

ALL THE PRESIDENT’S MEN was a story about good journalism, and its influence would be seen in the Oscar-winning SPOTLIGHT in 2015. The film highlights persistence of reporters, source protection, and the importance of free press in a democracy. Fifty years on, it is a strong reminder that truth can challenge power…and change it. 

 

“If you’re gonna do it, do it right. If you’re gonna hype it, hype it with the facts.”

 

 

A Reel 75: THE THING FROM ANOTHER WORLD

“No pleasure, no pain, no emotion, no heart. Our superior in every way.”

This month marks the 75^th anniversary of THE THING FROM ANOTHER WORLD. 

 

Directed by Christian Nyby, produced by Howard Hawks, and based on the 1938 novella Who Goes There? by John W. Campbell, THING told the tale of a U.S. Air Force crew who discovers a flying saucer in the Arctic ice and a lone, frozen occupant…which eventually thaws and terrorizes the residents of a scientific research station. 

 

Considered to be one of the best sci-fi films of the 1950’s, THING was adapted from the novella by Charles Lederer, with rewrites from Howard Hawks. The film was partly shot in Glacier National Park in Montana, with interior sets built in a Los Angeles ice storage plant. Leading the Air Force crew was veteran actor Kenneth Tobey, and he was joined by Margaret Sheridan, Robert Cornthwaite, Douglas Spencer, James Young, Dewey Martin, and Robert Nichols. Appearing in a small role as a scientist was George Fenneman, who was Groucho Marx’s announcer on the popular quiz show You Bet Your Life. James Arness would play THE THING.

 

On release, THING was a solid earner, out-gaining fellow sci-fi classic THE DAY EARTH STOOD STILL. In 2001, the film was selected for preservation in the United States Film Registry.  In 1982, James Carpenter would direct a remake which became another classic. 

 

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This Blogger’s introduction to THE THING came by way of the old WPIX Sunday Afternoon Matinee movie, where it was run with other classics such as KING KONG and THE ADVENTURES OF ROBIN HOOD. It was a clever, scary, and exciting creature-feature that went up against the good ol’ boys of the American military. It clicked well back then, and it does now. 

 

Beyond the creature-feature, THE THING was very much a product of its time. As with most good sci-fi, the film was a reflection of the times. This was a post-WWII world where everyone had seen the horrors of an atomic bomb, and scientists were held responsible for creating such an abomination. This is a heavy theme in THE THING, as the Air Force crew are often at odds with the scientists. Still, the film shows a connection between the two; the lead scientist and the Air Force General both quip lines such as “close the door”, showing their secretive ways which have deadly consequences. 

 

After 75 years, THE THING still holds influence over cinema. It’s isolated setting and closed-quarters paranoia has inspired other landmark films such as ALIEN (1979), ALIENS (1986), and HALLOWEEN (1978), and James Arness’ hulking figure is impressive. The simple premise and execution really works, and Howard Hawks’ fondness for American bravery and ingenuity give the film a beating heart. And for 1951, the film is progressive; Margaret Sheridan’s character is the one who comes up with the final solution to defeat THE THING. Today, many fans flock towards the 1982 remake, but this Blogger will always fly to the original. 

 

“Watch the skies!” 

A Reel Preview: The Year in Film 2026 - Episode IV

The first full month of wretched Spring is here, bringing a fairly packed slate of films, ranging from horror to animation to a long-awaited return of the King of Pop. Re-releases this month include JERRY MAGUIRE (30^th anniversary), and SPEED RACER…ahead of its forthcoming 4K release. Here are the notables coming to the big screen this month: 

 

 

THE SUPER MARIO GALAXY MOVIE – The sequel to the 2023 MARIO BROS. film, based on the 2007 video game which sees Mario and Luigi and their friends blast off into outer space. The returning cast includes Chris Pratt, Anya Taylor-Joy, Charlie Day, and Jack Black. 

 

 

THE DRAMA – Zendaya and Robert Pattinson star in this rom-com which sees a couple’s relationship shaken days before their wedding. 

 

 

YOU, ME & TUSCANY – Halle Berry (THE LITTLE MERMAID), stars in this rom-com, playing a young cook squatting in an abandoned Tuscan villa. Nia Vardalos co-stars. 

 

 

MOTHER MARY – In this psychological drama thriller, Anne Hathaway plays a pop singer mixed up in an affair with a fashion designer. It is directed by David Lowery (THE GREEN KNIGHT, AIN’T THEM BODIES SAINTS, GHOST STORY). 

 

 

LEE CRONIN’S THE MUMMY – Horror director Lee Cronin (EVIL DEAD RISE), helms this re-imaging of THE MUMMY franchise, where a young girl disappears in the desert and comes back wrong. 

 

 

DESERT WARRIOR – Rupert Wyatt (RISE OF THE PLANET OF THE APES), directs this historical action film where an Arabian princess joins forces with a bandit to confront a ruthless emperor. The cast includes Anthony Mackie, Aiysha Hart, Sharlto Copley, and Ben Kingsley. 

 

 

MICHAEL – The life of Michael Jackson comes to the big screen in this biopic, with Jackson’s nephew Jaafar Jackson playing the lead role. The cast includes Colman Domingo and Miles Teller. It is directed by Antoine Fuqua (THE EQUALIZER trilogy). 

 

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Next month, Reel Speak previews the month of May. 

 

 

 

 

 

 

 

A Reel Legend: Olivia de Havilland

A Reel Legend will tell the stories of cinematic icons who are no longer with us. The actors, actresses, and directors who have shaped the silver screen as we know it today. 

This month’s Reel Legend is Olivia de Havilland. 

 

One of the most accomplished and influential actresses of the Golden Age, Oliva de Havilland was born in Tokyo to British parents, and raised in California alongside her sister, actress Joan Fontaine. She had her big-screen debut in 1935 in A MIDSUMMER NIGHT’S DREAM, where she took it upon herself to learn the art of framing and lighting to assist in improving her look on the screen. 

 

She would gain worldwide attention by working with swashbuckling actor Erroll Flynn, first in the 1935 adventure CAPTAIN BLOOD, and most famously, THE ADVENTURES OF ROBIN HOOD in 1938, where she played Marian. The success of ROBIN HOOD and the popularity of the on-screen couple would lead to seven additional films with Flynn. 

 

Her career reached even further heights when in she took on the role of Melanie Hamilton in GONE WITH THE WIND (1939), which earned her an Academy Award nomination. She sought more complex roles in the 1940’s, winning two Oscars for Best Actress for TO EACH HIS OWN (1946), and THE HEIRESS (1949). In addition to her film career, she would spend time on Broadway and on television…winning a Golden Globe and an Emmy nomination. 

 

Beyond her acting achievements, she made a lasting impact on the film industry through a landmark legal battle against Warner Bros. In 1943, she successfully challenged the studio’s contract system, leading to the “De Havilland Law,” which limited the length of studio contracts and gave actors greater professional freedom. The victory transformed Hollywood’s power structure and influenced generations of performers.

 

She would later receive numerous honors, including the appointment to Dame Commander of the Order of the British Empire…at the age of 101. Before her death in 2020 at the age of 104, she was the oldest living and earliest surviving Academy Award winner and was considered to be the last surviving star of the Golden Age. She and her sister Joan Fontaine remain the only siblings to have won major acting Academy Awards. 

 

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This Blogger’s introduction to Olivia de Havilland came in the late 1970’s, watching the magnificent THE ADVENTURES OF ROBIN HOOD with dad on the WPIX Sunday afternoon matinee. As a STAR WARS kid, the similarities between Olivia’s Marian and Princess Leia were clear; she was brave, bold, beautiful, and could go toe-to-toe against the swashbucklers and the bad guys. This Blogger has always said that the 1938 ROBIN HOOD is ground-zero for STAR WARS, Marvel, and modern action films…and Olivia was a big part of that. 

 

Off the screen, her bold character showed up in real-life, taking on the mighty studio system in a legal battle that would benefit actors and actresses into today. It was a brave step for a woman to take in 1943, and it was her courage that reshaped Hollywood power and paved the way for creative freedom. That is what makes a Legend. 

 

A Reel 20: V FOR VENDETTA

“Remember, remember the fifth of November…”

This month marks the 20^th anniversary of V FOR VENDETTA. 

 

Directed by James McTeigue and produced and written by the Wachowski’s, V FOR VENDETTA was an adaptation of the popular graphic novel by Alan Moore, David Lloyd, and Tony Weare. Set in a future where a fascist totalitarian regime has taken over the UK, the film follows V, a masked vigilante in a Guy Fawkes mask who attempts to ignite a revolution, and Evey, a young woman who gets tangled up in V’s plot. 

 

V FOR VENDETTA was made by many of the same filmmakers who were involved in THE MATRIX films. The rights to the graphic novel were picked up by producer Joel Silver in 1988, and the Wachowski’s worked on the script during production even before starting on the first of THE MATRIX films. James McTeigue, who had worked as an assistant director to THE MATRIX, along with STAR WARS: EPISODE II, was brought on to direct. 

 

The role of V was originally to be played by James Purefoy, but he dropped out after six weeks of filming. He was replaced by Hugo Weaving. The role of Evey was taken by Natalie Portman, and the role of the High Chancellor went to the late great John Hurt. The rest of the cast included Stephen Rae, Stephen Fry, Tim Pigott-Smith, Rupert Graves, and Roger Allam, and Eddie Marsan. 

 

The film was originally set for a November 2005 release, but was pushed to the following March to allow more time for post-production. On release, it was number one on its opening weekend. Despite good-to-great-to-mixed reviews (73% on the Tomato Meter), the film would be a hit with audiences and did well with merchandise. Natalie Portman would win Best Actress at the Hugo Awards. 

 

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There are three types of 20-year-old films. There are the ones that don’t age well, the ones that do age well, and the ones that are scary to watch because of how spot-on they are with their vision of the future. The last one, is where V FOR VENDETTA lands. Like the graphic novel, the film sits in a time where a fascist regime has taken over media, persecuted those who are different, and the State taking away basic freedoms. Fear is used to rule and earn power for the powerful, while the common people suffer and are diminished. It’s a fictional plot that now hits hard, 

 

As a film, V FOR VENDETTA also hits hard. By taking inspiration from classic stories such as 1984, The Count of Monte Cristo, and The Phantom of the Opera, the film has a familiar, yet fresh feel to it. It looks amazing, the cast is excellent, and the action scenes tremendous. Over time, the mask of V has become a symbol of revolution; not just for the sake of rebellion, but for standing up for those who are diminished. And those who are being diminished will find freedom in that. 

 

“People shouldn’t be afraid of their governments. Governments should be afraid of their people.”