Wednesday, May 31, 2023

A Reel Preview: The Year in Film 2023 - Episode VI





The Summer Movie Season got off to a solid start with Disney’s THE LITTLE MERMAID taking in a good haul of clams. For the upcoming massive month of June, the Mouse will be rolling out a new Pixar flick, along with the return of one of the most beloved characters of all time. The month will also be packed tight with superheroes, robots from space, and a little bit of horror. Here’s what will be swinging into theatres for the month of June: 



 

 

 

SPIDER-MAN: INTO THE SPIDER-VERSE – Sony Pictures crawls back into the superhero business with this sequel to their 2018 animated smash-hit, with young Miles Morales (Shameik Moore), and Gwen Stacy (Hailee Steinfeld) trying to save every universe of Spider-people. The cast also includes Brian Tyree Henry, Jason Schwartzman, and Oscar Isaac. 

 

 

 

THE BOOGEYMAN – Based on the 1973 short story by Stephen King, this horror flick sees a young girl (Sophie Thatcher), and her family terrorized by a mysterious entity. 

 

 

 

 

TRANSFORMERS: RISE OF THE BEASTS – The seventh film in the TRANSFORMERS franchise, serving as a direct sequel to BUMBLEBEE (2018), and a prequel to the 2007 movie. Anthony Ramos stars. 

 

 

 

97 MINUTES – In this action-thriller, a hijacked plane has 97 minutes before it runs out of fuel. Alec Baldwin stars. 

 

 

 

THE BLACKENING – A group of friends encounter a killer while staying at a cabin in the woods in this horror-comedy, which pokes fun at the trope of African American characters always being the first to die in a horror movie. 

 

 

 

ELEMENTAL – Pixar Animation Studios returns to the big screen in this fantasy set in a world populated by the elements of nature…where a fiery woman and a water-guy fall in love. 

 

 

 

THE FLASH – Michael Keaton returns to the role of Batman for the first time in 30 years in this superhero team-up, which also happens to have The Flash (Ezra Miller). The cast also includes Ben Affleck (also reprising Batman), Sasha Calle, and Michael Shannon. It is directed by Andy Muschietti, who brought us the latest adaptation of IT (2017, 2019), to the big screen. 

 

 

 

NO HARD FEELINGS – In this coming-of-age sex comedy, Jennifer Lawrence stars as a broke Uber driver who takes an odd job of helping a teen become a man. Matthew Broderick co-stars. 

 

 

 

GOD IS A BULLET – Nikolaj Coster-Waldau (Jaime from TV’S GAME OF THRONES), plays a father who travels into the bowels of a cult to save his daughter. Jamie Foxx, January Jones, and Andrew Dice Clay co-star. It is directed by Nick Cassavates (THE NOTEBOOK). 

 

 

INDIANA JONES AND THE DIAL OF DESTINY – Harrison Ford returns as the world-famous swashbuckling archeologist for one last adventure, this time seeking a device that has the power to change things radically. The cast includes Phoebe Waller-Bridge, Mads Mikkelsen, Antonio Banderas, Toby Jones, Boyd Holbrook, and John Rhys-Davies. It is directed by James Mangold (LOGAN, 3:10 TO YUMA). 

 

 

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Next month, Reel Speak previews the month of July. 









Friday, May 26, 2023

A Reel Review: THE LITTLE MERMAID




Despite the success Disney has had with their onslaught of live-action remakes of their classic animated films, none of these second-shots seem to have much of a shelf-life. We may be wowed in the moment when we see live-action versions of beasts and lions and genies, but one year later when we need to scratch that Disney itch…we find ourselves reaching back for the originals without a thought. This year, Disney gives it another try, with THE LITTLE MERMAID. 

Ariel (Halle Bailey), is a mermaid princess and youngest daughter of King Triton (Javier Bardem), who has a fascination with the human world. She strikes a deal with the sea-witch Ursula (Melissa McCarthy), who gives her three days in human form to win the heart of Prince Eric (Jonah Hauer-King). 

Directed by Rob Marshall, and based on the original Hans Christian Anderson story and the 1989 animated film, THE LITTLE MERMAID closely follows the familiar story beats. Ariel is in love with the human world and Prince Eric, which drives her father nuts and eventually pushes her towards Ursula and a chance at life upstairs. It’s all familiar and comfortable, with enough minor changes in character, actions, and settings to balance out some freshness. MERMAID eventually hones things down to the relationship between Ariel and Eric. Both are dealing with parental issues and feeling trapped in the world they live in. This is the heart of the story and it is developed well. 

Rob Marshall plays with a vast and magnificent-looking canvas making up the underwater world and Eric’s island-castle. Everything looks gorgeous, lush and full of rich color. Intimate scenes are done well, tension is ramped up nicely on the action sequences, and when the film goes dark the scares work. Pacing feels like it could have been tightened up; there is some redundancy in the first act, and it takes way too long for Ariel to get out of the water. The run-time of 135 minutes is certainly felt. 

CGI is dazzling in creating the underwater world and the creatures that inhabit it. Ariel is helped along by her companions Sebastian the crab (Daveed Diggs), Flounder the tropical fish (Jacob Tremblay), and Scuttle the dingbat diving-bird (Awkwafina). The creatures look amazing and they are fleshed out enough to feel like characters and not CGI blobs. Scuttle gets to do a little rap-song in an attempt to modernize the film, and it feels way the hell out of place. 

Halle Bailey is dazzling as Ariel. Her voice fits the old and new songs perfectly and overall is a delight. Javier Barden is a little stoic, and Melissa McCarthy was absolutely born to play Ursula.

This version of THE LITTLE MERMAID does everything right; it is breathtaking, fun, emotional, and despite some extra fat to be trimmed still swims under the sea without as much as a fish-hook scratch. Despite the modernization it still has the Disney Princess, storybook ending, giving it a classic feel.  One year from now we may still gravitate towards the 1989 film, but that won’t happen without a little bit of thought towards this one. 

BOTTOM LINE: See it  

 




Wednesday, May 24, 2023

A Reel 20 - X2: X-MEN UNITED


"Let’s just say I know a little girl who can walk through walls…”



This month marks the 20th anniversary of X2: X-MEN UNITED. 

Directed by Bryan Singer, X2 was the direct sequel to Singer’s X-MEN from 2000, which ignited the new age of superhero films. X2 picked up on story threads from the first movie, including Wolverine’s search for his past, and Magneto’s quest for mutant freedom and domination. 

Inspired by the Marvel comics Return to Weapon X (2001) and God Loves, Man Kills (1982), X2 went into production right after the success of X-MEN. Singer was retained to direct, and he was joined by his superior cast of Hugh Jackman (Wolverine), Patrick Stewart (Professor X), Ian McKellen (Magneto), Halle Berry (Storm), Famke Janssen (Jean Grey), James Marsden (Cyclops), Anna Paquin (Rogue), Kelly Hu (Deathstrike) and Rebecca Romijn-Stamos (Mystique). Newcomers included Brian Cox (Stryker), and Alan Cumming (Nightcrawler). 

Filming began in June of 2002 in Vancouver and lasted into November with over 64 sets being built in 38 locations. John Ottman provided the score. 

Upon release, X2 earned high praise from critics and fans, and would earn enough at the box office to finish as the 9th highest grossing film of the year. It would win the Saturn Award for Best Science Fiction Film. 

 

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X2 was a superhero film that was ahead of its time. It came to us five years before the Marvel Cinematic Universe (MCU) began, and was only six years removed from the BATMAN disasters of the late 1990’s. Despite being born in an odd spot, X2 has stood the test of time and is rightfully regarded as one of the best superhero films ever made. Its themes of family, loyalty, and basic human rights give the world of mutants a grounded and human touch, and that is balanced with some of the best action scenes in the genre; the opening attack on the White House, Wolverine’s showdown with Deathstrike, and Magneto’s magnificent prison break. 

Even with these great battles between good guys and bad guys, X2, like its predecessor, blurs the line between who was really in the right. The core of the film is Magneto’s desire for his fellow mutants to have freedom from persecution, and while his methods are brutal, his heart is in the right place. In today’s age where we still debate if the MCU’s top-villian Thanos was really right, this Magneto from 2003 may have done it first. 

In the long run, X2 made an even bigger star out of Hugh Jackman and bumped-up his Wolverine in pop-culture. The film would be the highest point of the series, which would have many ups and downs before it wrapped in 2017. In the near future, the MCU will be bringing the mutants back, along with Jackman for one last go…and the standard they need to meet is X2. 

 

“You are a god among insects. Never let anyone tell you different.”






 



Thursday, May 4, 2023

A Reel 40: STAR WARS - RETURN OF THE JEDI


“The Force is strong in my family…”



 

This month marks the 40th anniversary of STAR WARS: RETURN OF THE JEDI. 

 

The third and final episode in the Original STAR WARS Trilogy that started in 1977, and continued with THE EMPIRE STRIKES BACK in 1980, RETURN OF THE JEDI served as a grand finale and resolution to the Galactic Civil War, with the heroic Rebellion giving one last effort to topple the Evil Galactic Empire. 

 

Directed by Richard Marquand under the close supervision of series creator George Lucas, JEDI was swiftly put into production after the massive success of THE EMPIRE STRIKES BACK. Lucas was on the hunt for a director early on, considering names such as Steven Spielberg, David Lynch, and David Cronenberg. Richard Marquand was eventually selected. Lawrence Kasdan, who co-wrote EMPIRE, wrote the screenplay with Lucas. The film was originally to be called REVENGE OF THE JEDI, before Lucas re-thought it. 

 

Filming began in January of 1982 with a tight schedule to give more time for the amount of visual effects to be completed. Locations included Elstree Studios in England, Yuma Desert in California, and the redwood forests of California. The cast would include returnees Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, Peter Mayhew, Kenny Baker, David Prowse, Alec Guinness, and Frank Oz. Ian McDiarmid would appear as the evil Emperor for the first time; a role that he would play in STAR WARS films for the next 35 years. John Williams would return to provide the score. 

 

RETURN OF THE JEDI was following up the many loose threads left hanging after THE EMPIRE STRIKES BACK, so anticipation was high, and it showed at the box office as it would finish as the highest grossing film of the year. After re-releases in 1985, 1997, and 2023, RETURN OF THE JEDI currently sits as the 91sthighest grossing film in the United States and Canada. At the 56th Academy Awards, it would be nominated for four Oscars, and would be honored with a Special Achievement Award for visual effects. 

 

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This Blogger has many memories of RETURN OF THE JEDI. As a STAR WARS kid, the wait in-between EMPIRE and JEDI seemed like an eternity, especially with the many unanswered questions left out there. In an age where the internet was barely a dream, it was schoolyard discussions and debates that went over all the questions; was Vader really Luke’s father? What would happen to Han Solo? The debates were endless, and it was the massive task of JEDI to wrap it all up. 

 

RETURN OF THE JEDI does indeed answer the questions, and it also has the task of ending the period of Civil War. It was a galactic-sized conflict that was balanced out by the story of Luke Skywalker and Darth Vader; father and son, rising Jedi and fallen Jedi. The conflict would move into a climax that would brilliantly be played out over three fronts: on the ground (the forest moon of Endor), in space (above Endor), and on board the second Death Star itself. The three-front battle would set a new standard for action films, and Lucas would borrow from himself for the climax of THE PHANTOM MENACE in 1999. 

 

RETURN OF THE JEDI would give action directors more to play with in technical and storytelling advancements, and even though it served as a trilogy capper, set STAR WARS on the path that continues today. Bloodlines through the Force, cute characters, galactic gangsters, and fearsome bounty hunters would all be themes that STAR WARS would continue to explore on the big and small screens. The Original Trilogy ended here, but the next generation also began. That is the true legacy of JEDI. 

 

“When gone am I, the last of the Jedi will you be..”










Tuesday, May 2, 2023

A Reel Preview: The Year in Film 2023 - Episode V





The month of May is traditionally known as the start of the Summer Movie Season. This year, the month is front and back loaded, with the most anticipated films coming in the first week and then at the end. Here are the notable big-screen releases for May of 2023: 

 

 

 

GUARDIANS OF THE GALAXY VOL. 3 – James Gunn returns to the Marvel Universe to direct the third GUARDIANS film, which is being sold as the final flight for this crew of galactic misfits. The cast includes returnees Chris Pratt, Zoe Saldana, Dave Bautista, Karen Gillian, Pom Klementieff, and the voices of Bradley Cooper and Vin Diesel. The impressive cast also includes Will Poulter, Elizabeth Debecki, Sylvester Stallone, and Maria Bakalova (BORAT). 

 

 

LOVE AGAIN – Celine Dion appears in her first film role, playing a fictionalized version of herself in this rom-com which is an English-language remake of the 2016 German film SMS FUR DICH. 

 

 

BOOK CLUB: THE NEXT CHAPTER – The sequel to the 2018 comedy BOOK CLUB, starring Diane Keaton, Jane Fonda, Candice Bergen, and Mary Steenburgen. 

 

 

FOOL’S PARADISE – Charlie Day has his directorial debut in this comedy about a publicist stuck with a mute man who won’t leave his side. It stars Day, Ken Jeong, Kate Beckinsale, Adrien Brody, and one of the final screen appearances of the late Ray Liotta. 

 

 

KNIGHTS OF THE ZODIAC – This action fantasy is an adaption of the popular Manga Saint Sieya, with the goddess of war reincarnated in the body of a young street orphan. 

 

 

HYPNOTIC – Famed cult director Robert Rodriguez returns to direct this sci-fi thriller about a detective entangled in a mystery involving his own daughter and a secret government program. Ben Affleck stars. 

 

 

FAST X – The 10th film in the FAST & THE FURIOUS franchise, serving as the first part of a two-part finale. Vin Diesel returns, and he is joined by Michelle Rodriguez, Tyrese Gibson, Jason Momoa, and John Cena. 

 

 

ABOUT MY FATHER – Robert DeNiro plays a traditional Italian immigrant father keeping a close eye on his son’s upcoming wedding. 

 

 

THE LITTLE MERMAID – From Walt Disney Pictures, a live-action remake of their classic 1989 animated hit. Rob Marshall, director of MARY POPPINS RETURNS (2018), and the Oscar-winning CHICAGO (2002), takes the helm. Halle Bailey takes on the role of Ariel, and Melissa McCarthy plays the villainous Ursula. 

 

 

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Next month: Reel Speak previews the massive month of June. 

 

 

 



Wednesday, April 26, 2023

A Reel Opinion: The Top 10 Video Game Movies




In the young cinematic year that is 2023, the biggest hit has been THE SUPER MARIO BROS. MOVIE. Despite mixed-to-great reviews (read Reel Speak’s take HERE), it has managed a feat that most movies based on video games often fail at: to be true to your source material and still manage to deliver on the big screen. Ever since the first film based on SUPER MARIO BROS. arrived in 1993 and bombed hard, Hollywood has been trying to figure that out. There have been more disasters than triumphs, and finding ten (10) movies worthy of a mention is a challenge. But this Blogger has a pocket full of quarters and is ready to play. Here now are Reel Speak’s Top 10 Best Video Game Movies: 

 

 

 

 

 

10. MORTAL KOMBAT (1995)




Based on the ever-popular and once controversial blood-spilling fighting game, MORTAL KOMBAT was a modest hit with fans and critics, and over time has earned a cult following. The acting and story are crap, but the spirit of the game is there…with some well-executed martial arts scenes and loyalty to the characters. 




 

 

 

9. RESIDENT EVIL (2002)




The first of seven films in the action-horror franchise. While these films have seriously pissed-off fans with its liberties in the storytelling, they still managed to provide some thrills, accomplish some decent world-building, and make a minor action-icon out of actress Milla Jovovich.  




 

 

 

8. WEREWOLVES WITHIN (2021)




The reason why so many VG movies bomb hard is because they forget to latch onto a genre of film. Not so for this screen adaption, which works just fine as a horror movie. Milana Vayntrub (the ATT&T girl), joins a group of people stranded in a small town surrounded by werewolves in a fun romp that often gets ridiculous, but it knows it and doesn’t try to be much more than that. 




 

 

 

7. SONIC THE HEDGEHOG (2020)




A common misstep in video game adaptations is to forget the human element, specifically the heart. This live action/animated hybrid of one of the most popular VG characters of all time frustrated audiences by moving the action away from Sonic’s fantastical universe and into our real world, but that allowed for some human elements to come into play, and it worked. The scene where Sonic gets his iconic sneakers as a gift from a little girl pulls all the right strings. 





 

 

6. SONIC THE HEDGEHOG 2 (2022)




Where the first SONIC film kinda danced around its roots as a video game movie, the second goes full-speed ahead and delivers a knockout. Jim Carrey reprises his role as Dr. Robotnik and is electric, and Idris Elba is perfectly cast as Sonic’s other nemesis, Knuckles. 




 

 

 

5. TOMB RAIDER (2018)




Angelina Jolie had two wobbly films in the early 2000’s based on another iconic VG character, Lara Croft. In 2018 Alicia Vikander stepped into the role in a film that was grounded and more realistic. Although it has a little too much of a prequel-thing going on (it’s Lara in her early days), it still delivers the action and the spirit of the games. 




 

 

 

 

4. DETECTIVE PIKACHU (2019)




Based on the game that has defined an entire generation, PIKACHU was a box office monster; second-highest earning VG movie at the time. Latching onto the genre of a whodunit and a little bit of noir, this would still have worked if the characters were all human. 




 

 

 

3. THE SUPER MARIO BROS. MOVIE (2023)




The newest addition to the VG movie catalog delivers on every front: characters, story, action, and loyalty to its roots. Mario has a rich and vast history going all the way back to the arcade era, and somehow his first big-screen adventure impressively worked it all into a 92-minute adventure.  




 

 

 

2. SILENT HILL (2006)




This terror was smart enough to latch onto its early inspirations: horror movies. SILENT HILL ramps up the tension and scares with a creepy atmosphere and stunning visuals. Sometimes all you need is one iconic scene for a movie to be memorable, and no one can forget the coming of the fearsome Pyramid Head. Stuff nightmares are made of. 




 

 

 

1. WRECK-IT RALPH (2012)




This may be a cheat (code) since this Disney gem isn’t based on a specific game, but as a movie about video games, no one has done it better than RALPH. John C. Reilly leads an excellent voice cast in this adventure that takes us through the inner workings of games and their characters. It’s a deep-dive into what makes the Big Bads tick, and we may never look at an arcade cabinet-style game the same way again. The film is also an easter-egg delight, including cameos from famed video game icons including Pac-Man, Sonic, and Bowser. It taps into not only video game lore, but basic cinematic principles; rooted in the classic heroes-journey and actually feels like a film. 

 

 

 

REEL SPEAK'S TOP 10 VIDEO GAME MOVIES

  1. WRECK-IT RALPH
  2. SILENT HILL
  3. THE SUPER MARIO BROS. MOVIE
  4. DETECTIVE PIKACHU
  5. TOMB RAIDER
  6. SONIC THE HEDGEHOG 2
  7. SONIC THE HEDGEHOG
  8. WEREWOLVES WITHIN
  9. RESIDENT EVIL
  10. MORTAL KOMBAT 

 


Friday, April 14, 2023

A Reel Review: RENFIELD




The role of Dracula has been played by many names over the decades: Bela Lugosi, Christopher Lee, Gary Oldman…and even Leslie Nielsen. Here in 2023, almost 100 years after Bela made the role famous, it’s none other than the real-world prince of darkness, Nicolas Cage…donning the cape and fangs in RENFIELD. 

 

R.M. Renfield (Nicholas Hoult), has been under the employ of Dracula (Cage), for 90 years. In modern-day New Orleans, Renfield is tasked with providing Dracula victims so he may suck their blood and survive. With Drac growing stronger, Renfield begins to have doubts about his own life. 

 

Directed by Chris McKay, RENFIELD picks up on the familiar plotline from Bram Stoker’s original novel of Renfield serving the Dark One. The hook here is that Renfield is growing tired and guilty of bringing Dracula victims, and is secretly seeking to get out. RENFIELD sets up the relationship between Renfield and Dracula as an abusive one, and Renfield attends group meetings looking for a way out. 

 

RENFIELD is set up as a comedic drama with Dracula and Renfield hammering out their issues, but the film gets sidetracked by a sub-plot involving a drug cartel (led by Ben Schwartz and Shohreh Aghdashloo), an ambitious police officer (Awkwafina), and a corrupt police department. The most interesting parts of the film are when Dracula and Renfield are together, and any time the story veers away, it gets less intriguing.

 

But RENFIELD makes up for things in a terrific production. Chris McKay takes a page out of THE KINGSMAN movies with absurdist action scenes; limbs are torn off, intestines are spilled, and blood is gushed everywhere by the gallons. The film looks great with some excellent lighting techniques, and a nifty prologue recreates scenes from the 1931 film. 

 

Nic Cage, as expected, hams it up as Dracula. He remarkably looks like Bela Lugosi in the role, and he uses that to his advantage. There is an early scene where he is overloaded with prosthetics, and he seems to have trouble speaking through all the gunk. Nicholas Hoult is great, and the real surprise is Awkwafina…who seems to be the only one taking things seriously. 

 

But RENFIELD isn’t a film that was meant to be taken seriously; it knows it’s ridiculous and it shows. A tighter script would have been helpful with more focus on its lead actors, and not every plotline introduced seems to get wrapped up. RENFIELD doesn’t suck, but it lacks a bit of a bite. 

 

BOTTOM LINE: Rent it 

 

 




Wednesday, April 12, 2023

A Reel 100: Warner Bros. Pictures




This month marks the 100th anniversary of Warner Bros. Pictures. 

 

Commonly referred to as WB, Warner Bros. was founded in April of 1923 by brothers Harry Warner, Albert Warner, Sam Warner, and Jack L. Warner. For the next 10 decades the studio would make advances in filmmaking, while venturing into TV and animation. 

 

WB’s history on the big screen is vast and full of important films, actors, actresses, and filmmakers. For this 100th anniversary blog, Reel Speak will recap WB’s history decade-by-decade…noting the best and notable films. It is this Blogger’s hope that this little venture into 100 years of film history will inspire others to take a similar dive; to explore the films of the past and appreciate the last 10 decades. 

 

1920 – 1929

 

In 1927, Warner Bros. revolutionized the film industry with their first “talkie”, THE JAZZ SINGER starring popular crooner Al Jolson. As the first feature motion picture with synchronized dialogue and music, the big screen would never be the same again. Today, THE JAZZ SINGER is not looked upon favorably due to its usage of blackface, but it still stands as one of the most important films ever made. 

 

1930 – 1939

 

The 1930’s saw WB embrace the wonderful world of color along with the spirit of adventure. Their shining moment was THE ADVENTURES OF ROBIN HOOD in 1938, which remarkably feels like a modern film when viewed today. The film would make a swashbuckling superstar out of Errol Flynn and define the modern action star. 

 

1940 – 1949

 

The coming of WWII didn’t stop WB from producing some classic films in this decade. In 1942 Humphrey Bogart helped deliver WB their first Best Picture with the heralded CASABLANCA. It was the second of a one-two punch for Bogart, who had starred in WB’s also-heralded THE MALTESE FALCON the year before. And not to be outdone, James Cagney sang and danced into American culture with YANKEE DOODLE DANDY in 1942. 

 

1950 – 1959

 

The Fifties would see WB deliver future screen icons. Marlon Brando would star in A STREETCAR NAMED DESIRE (1951), Alfred Hitchcock would direct DIAL M FOR MURDER (1954), Judy Garland would dance into our hearts in A STAR IS BORN (1954), director John Ford would launch the legend of John Wayne in THE SEARCHERS (1956), and James Dean would star in GIANT (1956). 

 

1960 - 1969

 

Musicals were all the rage in the Sixties, and WB was on board all the way…producing MY FAIR LADY in 1964. Also in this decade, director Mike Nichols would have his feature debut, helming the multi-Oscar nominated WHO’S AFRAID OF VIRGINIA WOOLF. His film would win several Academy Awards, including Best Actress for Elizabeth Taylor. Other notables: BONNIE AND CLYDE and CAMELOT in 1967. 

 

1970 – 1979

 

Nihilism and anti-heroes dominated the Seventies, and WB was in the thick of it with A CLOCKWORK ORANGE (1971), DIRTY HARRY (1971), and DELIVERANCE (1972). This was a big decade for WB, with hits such as Bruce Lee’s ENTER THE DRAGON (1973), the Oscar nominated horror classic THE EXORCIST (1973), DOG DAY AFTERNOON (1976), and ALL THE PRESIDENT’S MEN (1976). WB would end the decade with a bang; launching the superhero genre with the magnificent and glorious SUPERMAN in 1978. 

 

1980 – 1989

 

After bringing THE SHINING to screens in 1980, WB had loads of fun with EXCALIBUR and SUPERMAN II in 1981. They would win Best Picture with CHARIOTS OF FIRE that same year, and later make a star out of Tom Cruise with RISKY BUSINESS (1983), take flight with THE RIGHT STUFF (1983), and would send THE GOONIES into booty traps in 1985. Other notables in this decade were THE COLOR PURPLE (1985), LETHAL WEAPON (1987), FULL METAL JACKET (1987), and EMPIRE OF THE SUN (1987). They would close the decade with a pair of Tim Burton films: BEETLEJUICE in 1988, and BATMAN in 1989. 

 

1990 – 1999

 

WB got serious again in the early Nineties, going gangster with GOODFELLAS (1990), exploring conspiracy with JFK (1991), and would raise the star of Daniel Day-Lewis in THE LAST OF THE MOHICANS (1992). THE BODYGUARD would be a hit in 1992, as would the Harrison Ford-led THE FUGITIVE (1993). They would bring us Michael Mann’s magnificent crime drama HEAT (1995), and blow us away with TWISTER (1996). WB would end the decade with a leap forward in visual effects with THE MATRIX in 1999. 

 

2000 – 2009

 

High fantasy and big budget franchises would be WB’s calling card in the new millennium, and it all started with their eight-film adaptation of the HARRY POTTER series; an epic that is their highest grossing franchise. Clint Eastwood would deliver Oscar-gobblers MYSTIC RIVER (2003), and MILLION DOLLAR BABY (2004), with the latter winning Best Picture. Christopher Nolan would begin a lucrative career with WB, bringing them a rebooted Bruce Wayne in BATMAN BEGINS in 2005, and the mind-twisting THE PRESTIGE in 2006. In 2007 David Fincher would explore true crime in ZODIAC, and Brad Pitt would play a famous outlaw in THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD. Nolan would end the decade with the towering Bat-sequel THE DARK KNIGHT in 2008. 

 

2010 – 2019

 

Nolan roared into the next decade by making the time-bending INCEPTION in 2010. WB would then have two consecutive Best Picture winners with THE ARTIST (2011), and ARGO (2012). It would be the beginning of an excellent Academy Award run for WB, as they had a string of awards-gobblers such as GRAVITY (2013), HER (2013), MAD MAX: FURY ROAD (2015), Nolan’s DUNKIRK (2017), BLADE RUNNER 2049 (2017), and the Bradley Cooper/Lady Gaga remake of A STAR IS BORN (2018). WB was now neck-deep in the superhero business, with WONDER WOMAN (2017), and JOKER (2019), the standouts. 

 

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The recent decade has WB going through more downs than ups with several big-budget superhero flops. But the studio still managed to produce hits such the sci-fi epic DUNE (2021), and yet another Bat-film with THE BATMAN (2022). Despite their misfires in recent years, the Warner Brothers can look down at their studio with pride, as there are a good 100 years to be proud of. 




Monday, April 10, 2023

A Reel Review: AIR




One of the best mini-genres in film are the stories centered around overlooked moments in history. THE KING’S SPEECH from 2010 was one, and Ben Affleck’s ARGO from 2012 was another. Here in 2023, Affleck takes another shot at it (behind and in front of the camera), in telling the tale of the most impactful, big-dollar marriages of an athlete and a corporation. 

 

It is 1984 and Nike is on the verge of bankruptcy. Talent scout Sonny (Matt Damon), and CEO Phil Knight (Affleck), decide to woo future NBA superstar Michael Jordan as their main spokesperson. 

 

Directed by Ben Affleck, AIR is a tale of human determination disguised as a corporate drama. Sonny is the driving force of the film, knowing that if he fails in recruiting Jordan, Nike may be doomed. The task is nearly impossible, with Nike not having a reputation as a basketball shoe and the Jordan family (led by his mom, played by Viola Davis), eager to sign with Nike’s rivals Converse or Adidas. 

 

On paper, the stakes seem low as even the average person who wears Nike’s may have a hard time caring if a corporation makes a few bucks. But AIR makes it work thanks to the desperation felt in Sonny. The burden of saving the Nike world is on him, and he has a vision of not just signing a player, but making him a cultural icon that would change the NBA and basketball marketing forever. 

 

Affleck behind the camera saturates AIR with the 1980’s, peppering it with the music of the time (excellent choices), and the culture. He re-captures the era perfectly. The script, written by Alex Convery, is sharp, witty, and often hilarious. Pacing is brisk, and the AIR flies through its 112 minutes. 

 

Matt Damon is excellent, and his scenes with his long-time collaborator Ben Affleck are electric. Jason Bateman comes in as a marketing guy and is very good. Viola Davis steals the show, and Chris Tucker is a surprise. 

 

AIR is presenting a story that we already know the ending to, as it’s difficult to walk anywhere without seeing a Jordan/Nike shoe or hoodie. But the journey to get there is what counts, and gives us a destination that means even more. The Jordan/Nike relationship was a historic merger, and thanks to AIR we see that it wasn’t just all about dollars and cents. 

 

BOTTOM LINE: See it  

 



Friday, April 7, 2023

A Reel Review: THE SUPER MARIO BROS. MOVIE




For over 30 years, there has not been a more iconic video game character than Nintendo’s Mario. The diminutive plumber and his brother Luigi have spanned games of all genres, and despite a disastrous 1993 live-action film attempt, have continued to be immensely popular. Here in 2023, the brothers finally get another life on the big screen. 

 

Mario (Chris Pratt), and his brother Luigi (Charlie Day), are whisked out of Brooklyn and land in the Mushroom Kingdom, which is under threat from Bowser (Jack Black). The brothers are separated, and Mario teams up with Princess Peach (Anya Taylor-Joy), and Toad (Keegan-Michael Kay), to find his brother and save the kingdom. 

 

If the plot seems simple and familiar, it is. Directed by Aaron Horvath and Michael Jelenic, THE SUPER MARIO BROS. MOVIE takes inspiration from fantasy-based films such as THE WIZARD OF OZ and TOY STORY: fall into a new world, get what you need, and find a way home. The film is simple and brisk, and has very little patience in getting things moving. The script is tight to a fault with character conflict and complexities kept to a bare minimum. It’s functional, but thin. 

 

But SUPER MARIO BROS. is balanced out by its commitment to being a movie based on one or more video games. This is the Nintendo-verse, and the film is loaded with easter eggs and references to Mario’s past and the Nintendo archival catalog. Nearly every frame has a reference for nerds and non-nerds to recognize and makes for a fun hunt. The items to be found not only serve as eye-candy, but serve purpose in the plot. It’s an easter egg hunt that actually matters. 

 

Mario’s search for his brother coincides with the Princess’ quest to save her kingdom, and this leads to several fun action sequences. A duel between Mario and Donkey Kong is a blast, as is a Kart chase (!). In a fun homage, some scenes are done in a clever and classic side-scrolling shot…once again sticking to its video game roots. 

 

Acting is a blast as the entire cast seems to be having fun behind the scenes. Chris Pratt is perfect as Mario, and Charlie Day equally matched with Luigi. Jack Black is unrecognizable behind Bowser, and Seth Rogen is a delight as Donkey Kong. Anya Taylor-Joy is great as Princess Peach. 

 

With a brisk running time of 90 minutes and its easy-to-digest plot, THE SUPER MARIO BROS. MOVIE does not have the weight of an upper-tier Pixar film and instead aims much lower. But those of us who have smashed controllers for 30 years trying to beat Bowser in a duel or a race will find much to enjoy. The 1993 film may have killed the MARIO franchise at the movies for a time, but now he gets his 1UP. 

 

BOTTOM LINE: See it