Every story has a beginning, middle, and end. Over the
decades the movies have adapted this simple idea into the three-act structure,
and the challenge for every filmmaker has been to make the seams in-between the
acts invisible as their stories progress. For director Paul Feig and his remake
of the 1984 beloved comedy GHOSTBUSTERS, keeping consistency between acts is
one of many issues.
Paranormal researcher Abby (Melissa McCarthy) and physicist
Erin (Kristin Wiig) put their old differences aside to investigate the uprising
of ghosts around New York City. They recruit quirky engineer Jillian Holtzmann
(Kate McKinnon), and amateur NYC historian Patty (Leslie Jones) to form a team
of researchers and ghost-hunters despite efforts from the mayor (Andy Garcia)
to debunk them and keep a lid on the existence of ghosts.
GHOSTBUSTERS is a film with a solid beginning. Good work is
done in establishing the main characters, most especially with Abby and Erin…who
have been friends since childhood and have their own issues to work out between
each other. They are the grounding element in their ghost-busting team which is
kept on their toes with the nutty Holtzmann and the powdered-keg Patty. Despite
the good early work, GHOSTBUSTERS settles into a second-act slog as pieces are
moved around in anticipation of the final showdown. On-and-off again
discussions with the mayor’s office are a grind, and the mystery behind who is
drawing ghosts into NYC doesn’t amount to much. All this is capped off with a
messy third act culminating in a huge battle between our heroes and a thousand
CGI ghosts, which is a lot of lights and noise and is equivalent to jangling
shiny keys in front of an infant. The character work done in the early act is
thrown out the window, and the supposed pay-off at the climax doesn’t feel
earned.
GHOSTBUSTERS is a comedy at its core, and the laughs that
Feig goes for are very much hit-or-miss. Most of the humor comes in the form of
quips, but the stage is set early on when Melissa McCarthy’s character blows a
lady-fart which is then followed up by a guy shitting his pants which is then
followed by another guy flipping the middle-finger all over the place. It’s a
sign that the humor is completely un-sophisticated and aimed at 13 year olds,
and doesn’t do the cast any favors. Feig also treats his male cast-members in a
curious way; nearly every man with more than five minutes of screen time is
portrayed as a complete idiot, with the bulk of the jabs thrown at the
character Kevin (Chris Hemsworth); a dim-witted hunk hired as a receptionist.
Kevin is played so dumb he can’t answer the phone, and it’s so over-the-top the
character feels mentally-challenged; a trait which Feig takes full advantage
of. And just for good measure, our team of Ghostbusters shoots a giant ghost in
the nuts with their lasers in the final battle.
Pacing and editing are also an issue. Many scenes drag on
for way too long as one single joke is stretched way too thin. The film also
stops dead in its tracks to wedge-in cameos from the 1984 film, which add
nothing and only halt what there is of the plot. There are many callbacks to
the original movie and the pacing is weighed down because of it, and it comes
off as a mistake for a movie which so desires to be its own thing. There are
some very well-done horror sequences here and there, but they are usually
derailed by a CGI blob-thing of a ghost.
Acting is all over the place. Kristin Wiig is allowed to do
the most work and does it well. Melissa McCarthy fades into the shadow of her
castmates, but still finds time to pull her standard fat-girl-falls-down
routine. Leslie Jones just YELLS REALLY
LOUD all the time. Kate McKinnon fares the best as the quirky and
socially-awkward engineer, but is very thinly drawn and since McKinnon is a bit
un-hinged in the first place, it’s hard to give her too much praise. Despite
the flaws with his character, Chris Hemsworth breaks out of his manly tough-guy
persona with a surprisingly loose performance. Neil Casey plays the so-called villain
who is bringing ghosts into the city, and he is written so thinly, with zero background or motivation, that he
makes no impression whatsoever.
A lot has been said about this reboot/remake of GHOSTBUSTERS
concerning the female leads and the whole idea of even making the movie in the
first place. The cast, which does have talent, is short-changed by the
underwritten script and the crass humor, and the only justification for having
the ladies in the lead is to have queef jokes and one-liners about their bras.
The film does not serve them well, and overall is an insult to watch as it is
crude, silly, offensive, and exploitive…and makes no strides for anyone
involved. It suffers from a poor story structure and bad humor, and is one
ghost story which needs to be busted and locked away.
BOTTOM LINE: Fuck it
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