This weekend, 20th Century Fox offers its 8th
film in its series of adaptations of Marvel Comics’ famed X-MEN franchise, in
the form of X-MEN: APOCALYPSE. The road to get here has been a long and twisty
one, with several steps forward, backward, and sideways in its evolution. Here
now is a look back at the X-MEN in film.
In the 1990’s, the superhero genre in film was a joke,
thanks to several low-budget bombs and stinkers. No one took the genre
seriously, but that all changed in 2000 when director Bryan Singer’s X-MEN
arrived. X-MEN centered its universe around three main characters, played by
Hugh Jackman (Wolverine), Patrick Stewart (Professor Xavier), and Ian McKellen
(Magneto), and surprised everyone by inserting social issues into its
narrative. By making super-powered people (called mutants) deal with civil
rights issues, X-MEN vaulted itself and the genre into legit filmmaking. Today,
there is a lot of focus on universe-building over several films, and Singer’s
X-MEN established everything it needed to in a film that ran less than two
hours.
As good as X-MEN was, it was topped by the superior X-MEN:
UNITED in 2003. Commonly referenced as X2, Singer’s second film kept the civil
rights issues in the crosshairs while adding some great character-work with his
large cast of mutants. There are strong family themes at work, and despite the
bigger stakes, operates firmly as a character piece. This Blogger holds X2 as
one of the top five best superhero films ever made.
With such a high bar set by X2, it was difficult for the
third entry, X-MEN: THE LAST STAND to come close. Trouble started early when
Singer left the franchise and was replace by Brett Ratner, who shot the film in
a de-saturated look which sucked the life out of it. The plotline involving a
possible cure for mutant-powers was great on paper, but missed the obvious
ethical grappling the characters should have had. X3 was met with critical
drubbing, and long-time X-MEN fans revolted over some decisions made with the
characters. It had its moments, but fell way short of the high bar set by X2.
At this point, Hugh Jackman had elevated his character to
household name status, and was the obvious choice to be the first character to
get his first shot at a solo career. X-MEN ORIGINS: WOLVERINE arrived in 2009,
and was to be the first in a series of origin films. Intending to tell
Wolverine’s backstory before he received his famed metal-claws, the film
suffered from some silly moments (even for a comic book film), and an
overabundance of crappy CGI.
Plans for further origin-telling solo-shots were scrapped,
and Fox instead went with a broad-strokes origin-tale with X-MEN: FIRST CLASS
in 2011. Telling the story of a young Professor Xavier (now played by James McAvoy),
and Magneto (Michael Fassbender), FIRST CLASS was directed by Matthew Vaughn
with Singer as a producer. Although this Blogger considers this movie to be a
step sideways; neither moving things forward or back…the film was met with
critical praise, and for many, righted the ship.
Fox wasn’t done playing with the immense popularity of
Jackman’s Wolverine, and in 2013 gave him another shot at a solo career with
THE WOLVERINE in 2013. Directed by James Mangold, THE WOLVERINE explored more
of the character’s backstory while taking him forward, and the film stands as
the most visually stunning of them all. THE WOLVERINE was met with OK praise
thanks to a hokey third-act, but the film was enjoyable, didn’t spark much
outrage…and kept the mutant wheels turning.
In 2014, the existence of X-MEN: FIRST CLASS was finally
justified with the magnificent X-MEN: DAYS OF FUTURE PAST, which saw Bryan
Singer return to the director’s chair. The film brought the old and new cast
together though some clever time-travel, had some of the most stunning
sequences to be seen in an action film, and once again put society back on
trial for the way it reacts to people who are different. The time-travel
fuckery in DAYS OF FUTURE PAST actually corrected many
wrongs by completely erasing the events of the less-than-favored X-MEN movies,
which made a lot of fans happy.
DAYS OF FUTURE PAST also served as a bit of a send-off for
the original cast, which means the stage is now set for our new team of X-MEN
to take over. And that they will in this year’s X-MEN: APOCALYPSE. Once again
helmed by Singer, APOCALYPSE brings McAvoy and Fassbender back in their roles,
and adds Oscar darlings Jennifer Lawrence and Oscar Isaac, along with Nicholas
Hoult, Rose Byrne, Tye Sheridan, Lucas Till, and Olivia Munn. So what can we
expect? The trailers and posters seem to be promising the biggest threat the
X-MEN have ever faced, and even though they say that nearly every film, this
time around seems to hold the promise of some epic setpieces. Singer has always
had a confident hand in guiding these characters and the overall franchise, so
it’s good to know that he’s there. However it turns out, the X-MEN on film have
always been the characters who are a little different; an island of misfit toys
who just happen to have super-powers. Anyone can relate to that, and find a
little bit of themselves in a friendly, or even an un-friendly mutant.
*
X-MEN: APOCALYPSE opens May 27th.
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