Last week, as explored by Reel Speak HERE, the news came out
that comedy actor Will Ferrell was set to play former President Ronald Reagan
in what was being dubbed as the first “Alzheimer’s comedy”; in which Reagan, as
President, falls into dementia and an intern is given the task of convincing
him that he is an actor playing the President in a movie. Today, following
outcry from the Reagan family and every other person on the internet with an
opinion, it has been reported that Ferrell is stepping away from the project.
Despite the controversial take, the unproduced script,
entitled REAGAN, has long been considered to be one of the top unproduced
scripts in Hollywood. The outrage from the Reagan family is certainly
understandable, but hopefully this isn’t a sign of Hollywood losing their
balls. Controversy is nothing new to the film industry; as far back as 1915,
D.W. Griffith’s A BIRTH OF A NATION caused uproar over its stereotypical
depiction of African-Americans, and in 1932, FREAKS was criticized for casting
real-life human oddities in its sideshow-performing story. And let’s not forget
other controversial films in the past 50 years, such as THE EXORCIST (1973),
FACES OF DEATH (1978), ROSEMARY’S BABY (1968), THE LAST TEMPTATION OF CHRIST
(1988), and THE PASSION OF THE CHRIST (2004).
Granted, Ferrell’s film was a comedy and probably far from
reaching the classic status of THE EXORCIST or ROSEMARY’S BABY, but the one
thing it does have in common is that it involves a sensitive issue. Hollywood
has always given alternate takes on religion, race, politics, and like it or
not…disease. Ferrell’s decision to walk away from REAGAN will probably kill the
project, so in looking back at Hollywood’s long history, the question is…what
is off-limits and what isn’t? Where is the line drawn? And when will filmmakers
take a stand and make their movie no matter who gets offended? The debate will
undoubtedly rage on.
*
In other news, the Zack Snyder-directed superhero battle
royale BATMAN V. SUPERMAN: DAWN OF JUSTICE is nearing the end of its theatrical
run, and the film looks to finish up as the seventh highest grossing superhero
film at the worldwide box office, with $829 million gross. The Warner Brothers
produced adaptation of the two most famed DC Comics characters will finish as
the 11th highest comic book film in the United States, and in this
year, will not beat out the Fox production of the lesser-known comic character,
DEADPOOL…which was released in February.
A figure like $829 million seems respectable, but Warner
Brothers had their sights set a lot higher for what they were considering to be
the ultimate superhero film. After all, the anticipation for DAWN OF JUSTICE
had been building for years, well before it was officially announced, and the
two most iconic characters of all time, Batman and Superman…were meeting
on-screen for the very first time. The cold hard fact is the movie was not very
good (read Reel Speak’s review HERE), and the public responded. If you want to
do better, make a better goddamn movie.
But the hits just kept on coming for Warner Brothers and
Zack Snyder, who are now into production on JUSTICE LEAGUE, a film which will
reunite Bats and Supes…and bring along a host of other super-powered characters
from the vast DC Comics lore. Over the weekend came a report that Snyder and Warners
were banging heads over JUSTICE LEAGUE…and even worse, the director of THE
FLASH movie, Seth Grahame-Smith, had quit.
There seems to be a solid state of chaos over at the Warner
Brothers offices. Long-time fans of DC Comics would probably be happy to see
Snyder get booted off JUSTICE LEAGUE and never let near another comic property
again, but unfortunately, with JUSTICE LEAGUE already into filming, it seems
that train has already left the station. Hopefully once all of the nonsense
quiets down and the adults have a chance to talk, some compromise can be made and
we all can have a good movie with the Dark Knight and the Man of Steel.
***
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