It took 13 films for Pixar to finally render out a story
with a female main character. In BRAVE, directors Mark Andrews and Brenda
Chapman dive into the task with the bravery of any noble Scotsman (or lady) by
charging straight towards the strongest of all lady-tales; the relationship
between a mother and daughter. But fear not, wee-lads; BRAVE is still a film
aimed at the masses with plenty to go around for everybody.
Set in the highlands of medieval Scotland, young Princess
Merida (Kelly Macdonald) is a bit of a tomboy; unmatched in archery and
unwilling to be a proper and prim princess. Her parents, King Fergus (Billy
Connolly) and Queen Elinor (Emma Thompson) are required by tradition to marry
her off to one of the sons of the neighboring clans. After a bitter battle with
her mother, Merida runs away to the forest where she encounters a witch, who grants
Merida a spell to change her overbearing mother.
While the focus of BRAVE seems to be the relationship
between Merida and her mother, when looking a bit deeper it’s clear that the
messages the film is trying to push has more to do with family and
responsibility. There are conversations in the film that everyone has had with
a parent at one time or another, or at least wish that they had. It is a very
mature film, but one that stays vibrant with lots of adventure and magic.
When the magic does show up and do its thing, BRAVE goes
through a major shift in tone; major enough that it nearly jars you of out the
movie, and Merida’s own story nearly gets lost in it. Similar to JAWS (which
turned from a horror flick to a men-on-mission movie), the shift, while
distracting, still holds its course towards the film’s main goals. Backed by
some clever writing and enough subtle allegory (which some folk may never
catch), BRAVE still manages to bring all the important things back home.
The craftsmanship of BRAVE is comparable to any live-action
film ever to earn gold. The highlands and forests of Scotland are beautifully
realized; from lush rolling hills, thick forests and crystal-clear roaring
brooks, BRAVE is a marvel to look at and possibly the best Pixar has ever
rendered. The film is also saturated in Scottish lore; myths and legends and
some good fun in the form of Scottish brawlin’ and warrin’. And the score is
mag-fucking-nificent.
At a brisk 93 minutes, BRAVE doesn’t take a lot of time to
dance around the forest, and Merida seems to reach an arc a little too quickly.
The film doesn’t quite hit the emotional chords the way some of Pixar’s
stronger efforts have, but it makes an honest and unabashed effort at it and it
does seem to work. BRAVE is quick and brisk and feels like a small movie, but
one that is very worthwhile.
BOTTOM LINE: See it
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