A Reel 20: KING KONG

“Kong! The eighth wonder of the world!”

 

This month marks the 20th anniversary of Peter Jackson’s KING KONG. 

 

An epic monster/adventure film, KING KONG was the second remake of the 1933 film, and the first film from Peter Jackson after his historic and successful THE LORD OF THE RINGS trilogy. Like the 1933 version, it followed an ambitious filmmaker who tricks his cast and crew into voyaging to the mysterious and hidden Skull Island, where they encounter prehistoric creatures and the mythical giant gorilla known as Kong. 

 

The voyage to KONG began back in 1995, when Universal Pictures approached Jackson to direct a remake of the classic 1933 film. The project stalled after a few years in development, as several monster movies were being made at the time and Jackson was planning on forging THE LORD OF THE RINGS. Once the One Ring was done, Universal came back to Jackson in 2003, who finally accepted. 

 

Filming began in 2004 in New Zealand. Naomi Watts would step into the role of Ann Darrow, and Jack Black was cast as the ambitious film director, Carl Denham. The rest of the cast would include Adrien Brody, Colin Hanks, Jamie Bell, Kyle Chandler, Evan Parke, and Thomas Kretschmann. Andy Serkis would provide the motion-capture for Kong. Howard Shore was originally hired to compose the score but was replaced by James Newton Howard. 

 

On release, KING KONG received acclaim and was a box office hit, finishing as fifth highest grossing film of the year. It would win three Oscars: Best Sound Editing, Sound Mixing, and Visual Effects. 

 

*

 

Peter Jackson’s KONG stomps in as a visually stunning and emotionally charged epic that elevates the classic tale. The film blends heartfelt character moments with spectacular action, delivering breathtaking sequences such as the and the dizzying finale at the Empire State Building, and Kong fighting three (!) T-Rex’s. The T-Rex fight is a cinematic stunner, followed a creepy and crawly Spider Pit sequence that is the stuff nightmares are made of. 

 

As a monster movie, it certainly delivers, and it also works as a drama and tragedy. Naomi Watts brings depth and sincerity to Ann, making a powerful bond with Kong in a love story that seems ridiculous on paper. And it’s a love story that clicks all the right boxes; they quarrel, separate, and find each other again. By embracing the Beauty and the Beast tale, and visual effects that dazzle 20 years later, Peter Jackson’s KONG has one paw in the past and one in the future. 

 

“It was beauty killed the beast..”