“Follow the money.”
This month marks the 40th anniversary of Alan J.
Pakula’s ALL THE PRESIDENT’S MEN.
In 1972, the headquarters of the Democratic National
Committee’s headquarters at the Watergate Complex in Washington D.C. was burglarized.
The intruders were caught, and over the course of the next two years, the event
would blow up into a political scandal which would lead to a national crisis
and the eventual resignation of President Richard Nixon.
The scandal would be brought into the light thanks to the
investigative efforts of reporters Carl Bernstein and Bob Woodward of The Washington Post, and in 1974 the two
collaborated on a book about the ordeal. That same year, Hollywood’s biggest
star, producer and actor Robert Redford, purchased the rights to adapt the book
onto the screen. Screenwriter William Goldman, who had just won an Oscar with
Redford on BUTCH CASSIDY AND THE SUNDANCE KID (1969), was hired to write the
script. Due to the length of the book, a decision was made early on to only
adapt the first half of the book, which would have the film ending with Nixon
taking the Oath of Office for what would be his second term in office (Nixon
would resign eight months later, after story broke in The Post).
Once the script was settled upon, Redford settled into the
role of Carl Bernstein, while Dustin Hoffman, fresh off an Oscar nomination for
LENNY (1974), was cast as Bob Woodward. Redford and Hoffman visited the offices
of The Washington Post for months to
research their roles, but the paper denied permission to film inside of its
newsroom. The production team then took detailed photographs and measurements
of the newsroom and built and exact replica; right down to phone books and
desks. The set was built in Hollywood, while Redford and Hoffman filmed
exterior scenes in Washington, D.C. Also joining the impressive cast was Hal
Holbrook, Jane Alexander, Jason Robards, Ned Beatty, Stephen Collins, and F.
Murray Abraham.
Upon release, ALL THE PRESIDENT’S MEN received universal
acclaim. It would be nominated for eight Oscars, winning four; including Best
Adapted Screenplay for Goldman and Best Supporting Actor for Robards. In 2010,
the film was selected for preservation in the U.S. Film Registry by the Library
of Congress.
*
ALL THE PRESIDENT’S MEN was a film which had a lot going for
it in 1976. The nation was still reeling from the scandal and was still hungry
for more information, and having two of Hollywood’s leading men in the film
certainly didn’t hurt. The tone of the film fit in perfectly with cinematic
style of the 1970’s; gritty and grounded thrillers in which there are no real
heroes or winners by the time the credits roll. Director Alan J. Pakula did
remarkable work in contrasting light and dark, honest and corrupt…and underneath
the surface of a political thriller and detective story, was a tale about
government rotting from within. But the film is also a story about the power of
good journalism, and its influence was seen recently in the Best Picture
winning SPOTLIGHT, which tackled a similar topic; print-journalists overcoming
great odds to reveal the truth. The quote “follow the money” would reverberate
through pop-culture, and would eventually resurface countless times in other
films and TV dramas. The Watergate Scandal may have been a national crisis, but
it gave journalism the chance to shine…and the film would go a long way in
inspiring a generation of eager newsmen and women. In our
social-media/information-crazed era, ALL THE PRESIDENT’S MEN is the standard by
which all that information is gathered…and presented.
“If you’re gonna do
it, do it right. If you’re gonna hype it, hype it with the facts.”
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