FACT: Various news outlets are reporting that Arnold
Schwarzenegger is set to return as Conan in THE LEGEND OF CONAN in 2014.
Schwarzenegger first appeared as the sword-wielding,
fur-wearing, camel-punching brute in John Milius’ CONAN THE BARBARIAN in 1982,
and then the less-than-stellar sequel CONAN THE DESTROYER (1984). An even
lesser-than-stellar remake/reboot sans Arnold took a dump on movie screens in
2011. This new entry looks to ignore that remake/reboot and link directory back
to the original 1982 film, with an aging Conan nearing the end of his days of
high adventures.
OPINION: Although the news of Ah-nold returning to the role
which first made him a star is exciting news, the real story here is the return
to that brutal yet magnificent world John Milius crafted for us thirty years
ago. CONAN THE BARBARIAN has aged extremely well, gaining even more respect now
than it did when it was first reviewed. Its large and epic scale with
heavy-handed themes of love, life, and religion (backed by Basil Poledouris’
tremendous score), gives it a David Lean/LAWRENCE OF ARABIA vibe which is
timeless and beautiful.
Schwarzenegger’s return to the role immediately demands some
quality filmmaking. This cannot be handled as a watered-down, PG-rated,
90-minute Generation YouTube flick which gets released in the dumping ground of
February. Sadly, the script is currently being written by Chris Morgan, who has
written the last four dumbass FAST AND THE FURIOUS films. But any script can be
turned around with the right director. As of this writing no director has been
announced, and assuming John Milius won’t be back on board (he is 68 and hasn’t
done much lately), this Blogger humbly submits his top three choices, plus one
dark horse.
1. Edward Zwick. Let’s look at Edward Zwick’s resume: DEFIANCE,
BLOOD DIAMOND, THE LAST SAMURAI, THE SIEGE, COURAGE UNDER FIRE, LEGENDS OF THE
FALL, and GLORY. The man really hasn’t made a bad film in his career and won’t
stand for piss-poor writing. His touch is never heavy-handed, his battle-scenes
are excellent and his composition of character and story is always perfect. The
studios would be fools to overlook him.
2. James Cameron. He has proven he can handle things on an epic
scale (AVATAR), has worked with Schwarzenegger before (TERMINATOR 1&2, TRUE
LIES), and doesn’t lose his characters amongst his large backdrops (TITANIC).
His broad-stroke style of storytelling would be well-suited to the simplicity
of a CONAN film.
3. Darren Aronofsky. His films have always been very intimate
(BLACK SWAN, THE WRESTLER, THE FOUNTAIN, REQUIEM FOR A DREAM); courtesy of his
attention to detail and strong writing. He could make an excellent character
study out of a CONAN film. He has a lack of experience in vast, epic
filmmaking, but that may change in a hurry once he gets done with his upcoming
Biblical film NOAH.
And this Blogger’s dark-horse pick is…Mel Gibson. Yes, you
read that correctly. Say what you will about the man’s personal problems, but
there is no doubting his filmmaking skills. He has done the large scale battles
without losing character and story (BRAVEHEART), and can be gentle and intimate
while retaining brutality (THE PASSION OF THE CHRIST). He has a lot in common
with Arnold; roughly the same age, products of 80’s action flicks, and both
have had their acting careers take unpredictable turns. If anyone can relate to
and get a great performance out of King Conan, it would be Mel.
For your consideration…
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