A Reel Opinion: The Top 10 Superhero Films

As the summer movie season heads towards the exit, out goes with it its contribution to the massive slew of superhero films. That means the time is right for this Blogger to ponder over Reel Speak’s Top 10 best films of said slew. To be clear, said Blogger judges superhero films the same way he judges any other movie; story, character, entertainment. And no, Reel Speak does not give a Catwoman’s ass if the film deviates from its comic-book origins. So here we go…

Sam Raimi’s SPIDER-MAN 2 (2004) is an automatic entry to any top 10 list. Full of heart and capitalizing on the characters and themes established in its predecessor, SPIDER-MAN 2 takes a kids’ comic concept and grows up while managing to be a ball of fun at the same time.

Bryan Singer’s X-MEN (2000) grounds it’s ridiculously powered characters by inserting real-world themes of racial and social divide; an area which not many films outside of the superhero genre have been willing to go. It was ballsy and ahead of its time, and very much relevant twelve years later.

THE DARK KNIGHT RISES (2012) is a fitting and triumphant finale to Christopher Nolan’s Batman trilogy of films, and it makes good use out of real-world themes and issues which haunt us to this day. The scenario which unfolds in RISES is likely the first diabolical villain-plot on the silver screen which very well could happen today.

Not only is THE INCREDIBLES (2004) the only animated film to make this Blogger’s list, but it is also the one and only original film amongst the battalion of comic-hero adaptations. It is visually striking, hits all the right points in the superhero mythos, and has the right balance of feeling modern and classic at the same time.

Sometimes casting the right lead is all you need to succeed, and that is why IRON MAN (2008) is a great watch. Robert Downey Jr. is a perfect Tony Stark, and the film carries style and substance all the way through. It is clever and thick, and the blend of practical FX and CGI is outstanding.

Christopher Nolan’s first entry into his Batman trilogy, BATMAN BEGINS (2005), is by far the best superhero origin story this side of Krypton. It is easy to grow impatient watching those origin tales; it’s natural to want to see the hero put on the damn mask right away. BEGINS avoids any of that by focusing on the guy beneath said mask, who is really what the hero is all about.

All you need to know about the granddaddy of all superhero films is this: Christopher Reeve, John Williams, and Gene Hackman. That alone makes SUPERMAN: THE MOVIE (1978) a solid film which still feels relevant and modern today despite its age. Since this movie, there has never been a more rousing rescue (who’s got me, who’s got you?), or a better soundtrack in a superhero film.

Bryan Singer’s mutant sequel, X2 (2003), capitalizes on the important themes established in the first film while dishing out enough screentime to its ensemble cast to care about each and every one of them. There is a gentle and magic touch in Magneto’s seduction-of-Pyro-scene, a compelling story in Wolverine, and again, the idea to make mutants a metaphor for social injustice ventures into frightening territory for many filmmakers.

This Blogger has been agonizing over his top two films, both of which are outstanding movies and have permanent places on the (glorious) blu-ray shelf at home for multiple viewings. They have two distinct styles which can only be broken down by looking back at past films which they resemble:

This is what happens…

It is fair to say that THE DARK KNIGHT RISES (2008) is the equivalent of THE GODFATHER in the superhero movie-world. It is a character study and a crime drama, and would work just fine without a guy in a cape and a dude in white makeup. Perhaps the most unnerving aspect of the film is that the villain (The Joker, played by the late great Heath Ledger), seems to have a better understanding of the state of the world than the hero we’re supposed to be pulling for does. Nothing is more unnerving than a villain who makes more sense than the hero.

If KNIGHT is THE GODFATHER with its crime drama sprinkled with character study, then the adventurous nature of Joss Whedon’s THE AVENGERS (2012) is naturally THE EMPIRE STRIKES BACK of superhero films. It is whimsical while dancing around the dark side, and its multiple storylines are driven by character, character, character, character. The real triumph is not just its ability to juggle multiple character arcs, but it is the one superhero film with the ability to jolt the asses of audiences out of their seats to yell, clap, hoot, holler and shout at the moon. THE AVENGERS may not be as deep as some of its peers, but there are none which are as much fun.

THE LIST:

10. SPIDER-MAN 2
 9. X-MEN
 8. THE DARK KNIGHT RISES
 7. THE INCREDIBLES
 6. IRON MAN
 5. BATMAN BEGINS
 4. SUPERMAN
 3. X2
 2. THE DARK KNIGHT
 1. THE AVENGERS

 

What say you?