Christopher Nolan’s finale to his Batman trilogy, THE DARK
KNIGHT RISES, continued to bring in major moolah over the weekend. Its latest
weekend box office haul brought its domestic take up to $390 million, good for
15th best all-time. Its worldwide total sits at an impressive $835
million.
Despite the impressive numbers, RISES has become a very divisive
film amongst film buffs and superhero fans. Its total number of positive
reviews come in under its vastly superior predecessor, THE DARK KNIGHT, with
most complaints ranging from a complicated and clunky plot and many leaps in
real-world logic. Comic-book purists (nerds) are upset over the villain, Bane,
ultimately being diminished as a mere henchman. This Blogger’s Old Man
expressed his dislike for the film by saying, “the movie was so bad even his
butler walked out”.
The largest complaint, which is very legitimate, is that
RISES is a much lesser film than its predecessor. Where THE DARK KNIGHT was
very much a character study and crime drama, RISES forgoes any in-depth looks
at the characters and instead piles on many layers of plot.
This Blogger sees many similarities between Nolan’s Batman trilogy
of films and the original STAR WARS trilogy; First Movie: set the stage. Second
Movie: all about character. Third Movie: big recap. The big recap for STAR
WARS, RETURN OF THE JEDI, is often looked at as a letdown when compared to its two
predecessors. But much like RISES, JEDI doesn’t need to delve into character
and emotion because it’s already been done in the previous chapter. While RISES
should be judged upon its own merits, it is only fair to also consider its
place in the larger picture. RISES doesn’t match up to THE DARK KNIGHT because
its purpose is to provide an ending; it is a film full of resolution. And as
far as the comic-book purists (nerds) complaint over Bane goes; well, even
Vader had a boss.
The other issues with THE DARK KNIGHT RISES involving too
much plot, not enough Batman, and lack of real-world logic are legit, but
certainly not enough to derail the entire movie. Nolan has always been the
thinking-man’s director; never afraid to layer lots of story. There has always
been a difference between real-world logic and movie-logic, and for the lack of
screen time for the caped crusader; there are always two prior chapters to fall
back on.
Trilogies are a tricky business. Again, the individual films
should be able to stand on their own two feet, but the larger picture needs
respect too.
What say you?
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