The films of director Ron Howard always seem to be at their
best when they deal with historical events and the people who took part in
them. His newest film, RUSH, which tells the true tale of the fierce rivalry between
two Formula One drivers in the 1970’s, is the perfect playground for Howard to
play in.
James Hunt (Chris Hemsworth), and Niki Lauda (Daniel Bruhl),
form a rivalry which defines their Formula One racing careers.
It would be a mistake to label RUSH as a racing movie, for
Ron Howard has bigger plans for his two main characters. The film is all about
Hunt and Lauda as they drive each other nuts and towards their destinies. Hunt
is a flamboyant racer who bangs a new girl every night and risks his life on
the track. Lauda is a methodical and calculating racer who has a wife and is
cautious when behind the wheel of a race car. Both men are polar opposites on
the track and in their personal lives, and it is here where Howard seems to
have the most fun. Hunt and Lauda are both assholes with massive egos, and
Howard develops the characters so well we can’t help but to love and hate them
at the same time.
Outside of the strong characters, Howard has put together a
beautiful looking film; at times stunning to gaze upon with many sequences
difficult to believe. The racing is pulse-pounding without being over-the-top,
and avoids any redundancy by not going on for too long. The look of RUSH gives
it an indie-film vibe, and coupled with the characters it feels very intimate
despite the largeness of the stakes and the racing. The spirit of the 1970’s is
very much up front and every costume, actor, and setting feels right at home.
Screentime seems to be split evenly between Chris Hemsworth
and Daniel Bruhl. Both actors excel off of one another and are both superb.
Olivia Wilde shows up for a brief turn as James Hunt’s short-lived wife; she
looks and sounds great and creepily looks a lot like her real-life counterpart
of the time, model Suzy Miller.
RUSH wraps up nicely, although the morality lesson Hunt and
Lauda go through is presented in a heavy-handed manner; both characters
basically stand there and tell us everything they’ve learned. By film’s end you
still feel like you’ve known both characters for an extended period of time,
and despite RUSH’s glossing-over of certain parts of their personal lives (like
their marriages), the finish line feels very satisfying. Ron Howard has a lot
of fun on this racetrack, and it’s very fulfilling to watch him do it.
BOTTOM LINE: See it
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