Steven Soderbergh has had a very diverse and successful
career in the movies; having directed popular hits such as OCEAN’S ELEVEN and
TRAFFIC, and producing Oscar favorites like MICHAEL CLAYTON and GOOD NIGHT AND
GOOD LUCK. Soderbergh, now at the age of 50, has recently hinted at retiring
from the business. If that be true, then his newest directorial effort, SIDE
EFFECTS, should one day be remembered as one of his finest efforts.
Emily (Rooney Mara) has a husband (Channing Tatum) who is
just getting out of prison for insider trading. Struggling with the adjustment
to a new life, Emily winds up in the care of Dr. Banks (Jude Law), who
prescribes her several prescriptions to combat her depression. Emily suffers
through some depressive episodes and serious side effects, causing Dr. Banks to
seek the advice of Emily’s former doctor, Dr. Siebert (Catherine Zeta-Jones).
The above plot synopsis doesn’t even begin to scratch the
surface of SIDE EFFECTS, as the plot is anything but simple. The film starts
off as Emily’s story, as she struggles with her depression and suffers through
the effects of the many drugs she is prescribed. Steven Soderbergh, with his
magnificent command of the camera lens, puts together one cliffhanger after
another; making us wonder if Emily will survive simple things such as chopping vegetables
or waiting for a train.
After a series of shocking twists, SIDE EFFECTS takes an
interesting, yet dramatic change in tone. The film switches focus from Emily to
Dr. Banks in a LAW AND ORDER styled fact-finding narrative, as the many parties
look into who is responsible for Emily’s troubles; the drugs, the prescribing
doctor, or Emily herself. The shift in tone is dramatic and takes some getting
used to, for at this point we are certainly emotionally involved and connected
with Emily. However, SIDE EFFECTS has a great many pieces and parts in motion,
and sticking through it all will bring some shocking, yet rewarding reveals by
movie’s end.
Acting is tremendous throughout. Jude Law turns in what is
probably his best performance, and is certainly a treat to see him in what can be
considered a leading-man role; quite a change from only hearing him provide
voiceovers for a certain super-computer with artificial intelligence. Channing
Tatum doesn’t have much of a character and is instead mostly a placeholder, and
Catherine Zeta-Jones goes to some interesting places we haven’t seen from her
before. The film is absolutely owned by Rooney Mara, who makes her character
believable and commands the story every second she is on screen.
The good guys wind up winning in the end to provide a happy
ending, however the methods that the good guys took to obtain that happy ending
doesn’t make the wrap seem all that happy; you honestly feel like taking a
shower after spending time with these characters. SIDE EFFECTS will hang with
you long after you leave the theatre, and that is the mark of a master
storyteller.
BOTTOM LINE: See it
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