In what could be considered a sequel/companion piece to THE
KING’S SPEECH (2012), HYDE PARK ON HUDSON is a look at the relations between
the U.S. and Britain prior to the outbreak of WWII, along with an intimate look
at the leaders of both nations.
War is looming between Britain and Germany, and President
Franklin Delano Roosevelt (Bill Murray) and his wife Eleanor (Olivia Williams)
invite the King and Queen of England (Samuel West and Olivia Coman) to the
United States for a weekend at their private cottage. The Royals are looking
for U.S. support in the case of a world war, while FDR engages in an improper
relationship with his cousin, Daisy (Laura Linney).
HYDE PARK ON HUDSON has a lot going on. There are several
storylines to be dealt with; FDR’s relationship with his wife and mistress, the
young Royal Family getting used to their responsibilities along with American
customs, and the weight of a possible second world war. None of these many
storylines mesh together very well, and when things shift it often feels like
watching five different films cobbled together. The film lacks a central focus,
and what’s worse is that never has a sense of urgency about it. It never feels
like a bad ending to all the drama would really matter.
Director Roger Michell often tries to get into the heads of
his characters. There are a handful of scenes which are remarkable; the scene
in which FDR and King George first get to know each other is as fine and
exquisite as anything put to the silver screen. Unfortunately these moments are
too few, and HUDSON falls back to its uninteresting grind of scattered
dullness.
Bill Murray is very much a joy as FDR; very much sounding
and looking the part. He has a handful of shining moments, but again, they are
very few. The choices made with his FDR character are questionable, as FDR is
too little shown as an important world leader and too much as a dirty old man.
Still, Murray is the highlight of the film and is a joy to behold.
The biggest problem with HYDE PARK ON HUDSON is that it
really has nothing important to say about its characters or their problems. There
is just no interest to be found anywhere; no matter how often Murray charms
away the camera. It is intolerably uninteresting, and unforgivingly boring.
BOTTOM LINE: Fuck it
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